In an interview with ScreenRant's Ash Crossan at SXSW in Austin, Texas, last week, Sokolov opened up about Beetz's physically demanding performance and the film's commitment to old-school practical effects.
Krill Sokolov: At some point, I just started to call her Cyborg because she is literally in every frame of this movie. She didn't have a single day off while we were shooting it. So for two months, she was every single day, barefoot, full in blood and dirt and sweat, running around and kicking butt.
That level of commitment is evident in the film's pacing, which keeps Beetz's character in near-constant motion, whether she's fleeing, fighting, or navigating some of its bloodiest scenes. But the Atlanta alum did it with ease, with Sokolov telling ScreenRant, despite the physical and emotional demands of the film, Beetz "never broke down or had a hard time."
Krill Sokolov: She just did it so elegantly, and never broke down or had a hard time. I just looked at her and couldn't believe how lucky I am, because it could have gone a very different way if it were anybody else, but she just really brought it up there.
Beyond its central performance, They Will Kill You also leans hard into its horror roots, particularly when it comes to its bloody kills, embracing practical effects reminiscent of the sometimes messy style used in the past. As for the decision to use practical effects over CGI and SFX, Sokolov said staying simple gives the film a "charm" that transports viewers back to the horrors of their heyday.
Krill Sokolov: But the kills — I think the genre fans who love horrors and who grew up on horrors from the '90s and '80s, as I did, appreciate the practicality and handcraft behind it. Sometimes it can look clumsy or just weird, but it also has a certain charm that sends us back to the movies we love. So I just try to keep up with that, and just to give them that awesome old school feeling when it could be a little bit goofy, but so touching.
ScreenRant: The movie premiered last night at South By Southwest, the first time with an audience. What was that experience like for you?
Zazie Beetz: It's phenomenal to see something like this with an audience. I'd only seen it once alone, with my husband, in a theater alone. And to feel that energy is just ... it's amazing. But Kirill was saying he was shaking the whole time. I definitely was gripping my husband's arm, and it's a lot of nerves and adrenaline, but it's good. It makes you feel alive.
Patricia Arquette: It's a real tour de force for Zazie. That's all there is to it. Nonstop. It is action-packed from beginning to end. And you have to think, as much energy as you could see on screen, she had to do 16, 18 takes of these things, back-to-back, back-to-back. So it was just, "Wow." The way that she drove this movie is incredible. And the audience was laughing in the right spots, screaming in the right spots, freaked out, excited, engaged.
Zazie Beetz: [The] audience did a great job. Yeah, you guys did a great job.
ScreenRant: I'm obviously watching the movie, thinking of questions that I'm going to talk to you about. And halfway through the movie, I'm like, "How did Zazie do this?" You are nonstop from the first frame to the end. It is wild.
Zazie Beetz: I mean, a great stunt team. We rehearsed the fights a lot. So that felt like second nature in the end, and so, on the day, we could really focus on the technicalities of everything, because those things become really technical with the camera and equipment. And so, really having the team as a whole be like, "We know the movement," was integral to this experience. But also just hyping up, and always remembering: this is going to be on the internet forever. You're like, "I'm tired, but I want to do this, and I want to give my all. And I wanted to show up with a positive force." And also to remember, this is my dream, to be doing this work, and showing up, and to be working with ... I mean, when Patricia signed on, I was just like — to be working with someone as talented [gestures to Arquette]. No, truly. And to watch her act on the first day — I don't remember, you were nervous, but I was like, "S--t. This is Patricia Arquette."
Patricia Arquette: Oh, I was so nervous
Zazie Beetz: You were nervous?
ScreenRant: You ate in this movie.
Zazie Beetz: You did. You were so effortless.
Patricia Arquette: It was so fun. I mean, I don't love being the bad guy. I'm not the bad guy, I don't think, in real life. But to serve this project, such an interesting filmmaker who has so much facility with the camera, with humor, with action, and who's so excited to be directing, and excited to make his vision come true. And to have Zazie, who's all in, a thousand percent, and such a cool hero to create. I just felt like if this all comes together, this is going to be a classic of this kind, and what a great thing to be able to be a part of, and what a great thing to be able to support.
They Will Kill You premiered on March 17 at SXSW and is set to hit theaters on March 27.
Release Date
March 27, 2026
Runtime
94 Minutes
Director
Kirill Sokolov
Writers
Kirill Sokolov, Alex Litvak
Producers
Andy Muschietti, Bárbara Muschietti, Dan Kagan, Dana Goldberg, David Ellison, Don Granger
Be sure to dive into some of ScreenRant's other SXSW coverage with:
-
The Sun Never Sets Review
-
The Fox Review
-
I Love Boosters Review
-
Dead Eyes Review
-
One Another Review
-
Kill Me Review
-
Ready or Not 2: Here I Come Review
-
The Saviors Review
-
Family Movie Review
-
Seekers of Infinite Love Review
-
Mike & Nick & Nick & Alice Review
-
Over Your Dead Body Review
-
Sender Review
-
Normal Review
-
Brian Review
-
Phoenix Jones: The Rise and Fall of a Real Life Superhero Review
-
Dakota Fanning reacting to All Her Fault's record-breaking success
-
Sydney Chandler sharing her ideal Alien: Earth season 2 story for Wendy and the Lost Boys as production ramps up
-
Robin Tunney weighing in on a Mentalist revival after its Netflix resurgence
-
Yul Vazquez explaining why he has yet to return to Severance
-
Jake Johnson on the chances of Peter B. Parker getting a Spider-Verse live-action spinoff
-
Elijah Wood teasing that his mysterious Ready or Not 2: Here I Come character may be immortal
-
Wood on reuniting with his Faculty co-star Shawn Hatosy in the Ready or Not sequel
-
The Ready or Not 2: Here I Come director and cast on the sequel's new cabal of wealthy Satanists
-
Jessica Rothe on the ongoing wait for Happy Death Day 3 to close out the Blumhouse franchise
-
BenDavid Grabinski on how Mike & Nick & Nick & Alice breaks a classic sci-fi time-travel trope
-
Grabinski and Vince Vaughn on the accidental Dodgeball reunion in Mike & Nick & Nick & Alice
-
John Goodman responding to Monsters Inc. 3 reports
-
Kevin Hamedani sharing how the Adam Scott and Danielle Deadwyler-led The Saviors was inspired by both The Twilight Zone and The X-Files
-
Emily Browning on how Hulu's Prison Break reboot will be different from the original series
-
Raviv Ullman on the chances of a Phil of the Future revival
-
Jamie Lee Curtis sharing why she ultimately didn't play One Piece season 2's Dr. Kureha after fan campaigning
-
Barbara Crampton on her goal to become "the Betty White" of the horror genre
-
Jorma Taccone and Brian McElhaney on how the Timothy Olyphant-starring Over Your Dead Body remake is gorier than the original
-
Taccone confirming his, Akiva Schaffer and Andy Samberg's Popstar: Never Stop Never Stopping won't get a sequel
-
Leighton Meester reacting to the new Blair Waldorf-focused Gossip Girl book
-
Riz Ahmed explaining why Andor didn't bring back his Star Wars character, Bodhi
-
Adam Scott teasing the "terrific" scripts for Severance season 3 as he confirms filming begins soon
-
Kelly Marie Tran reflecting on how Star Wars: The Last Jedi opened the door for her to make everything from The Wedding Banquet remake to Rock Springs
-
Derek Kolstad on how Bob Odenkirk's Normal differs from their Nobody movies
-
Kolstad offering a disappointing update on his Streets of Rage movie adaptation
-
Bob Odenkirk on how his remake of The Room connects to Tommy Wiseau's cult classic, and reflecting on its lack of a release
-
Graham Parkes on how Lewis Pullman and Maya Hawke's Wishful Thinking puts a dark twist on a 20-year-old book
-
Aimee Garcia on Lucifer's ongoing global impact five years after fans fought for Netflix to renew it beyond season 6
-
Cassidy Freeman on Smallville's global Netflix resurgence as the sequel show awaits a greenlight
-
Chandler, Takehiro Hira, Maximilian Lee Piazza and Brian Tetsuro Ivie talk Anima's experimental filming
-
The cast and producer of I Love Boosters hype Boots Riley & Keke Palmer's "unapologetic" new crime movie
-
David E. Kelley, Elle Fanning and the Margo's Got Money Troubles cast on their Apple TV comedy and why Michelle Pfeiffer was the only choice to help lead it
-
The AI Doc: Or How I Became An Apocaloptimist team breaking down just how extensive their research was
-
Dakota Fanning, Joe Swanberg, Jake Johnson and Cory Michael Smith on the bizarre experience filming The Sun Never Sets
-
Brea Grant and her Grind team on how they turned a short film into a DIY horror hit
-
Uma Thurman and the Pretty Lethal team on mixing R-rated ballet-fu action with a touching central message
-
Kathryn Newton on still not being used to watching people blow up after reuniting with Radio Silence on Ready or Not 2
-
Adam Scott and Damian McCarthy on how Hokum gives the star a return to a rare villain-like role
-
BenDavid Grabinski and the Mike & Nick & Nick & Alice cast on how the sci-fi action comedy is like two movies in one
-
Kevin Hamedani on how Adam Scott and Danielle Deadwyler's Saviors casting specifically is meant to go against audience expectations
-
Lucy DeVito, Danny DeVito, Lizzy Caplan and the rest of the Drag team sharing how their thriller offers a new twist on Home Alone
-
Jessica Rothe, Caleb Phillips and Yul Vazquez recalling the house they filmed Imposters in was "150% haunted"
-
Luchina Fisher on how her award-winning short The Dads became a Dwayne Johnson-produced feature
-
Bob Odenkirk, Derek Kolstad, Ben Wheatley and Marc Provissiero on how Normal almost cut one of its funniest jokes from a brutal fight scene
-
Rachel Mason on how My Brother's Killer solved a brutal murder 30 years later
-
The Bacon family talking how Family Movie proved to be a dream scenario to shoot
-
Lewis Pullman and his Wishful Thinking team recalling how Kerri Kenney-Silver was hospitalized on the first day of shooting
-
Finn Wolfhard and the Crash Land team on Jackass influences and how it's a big pivot from Stranger Things
-
Ben Wang and the Brian cast and director talking the coming-of-age movie and how it's a perfect follow-up to Easy A for one key reason
-
Barbie Ferreira and the Mile End Kicks team on how the film chronicles being "completely imperfect" in one's 20s
-
Ryan Simpkins and the Ugly Cry team on their timely body horror movie and how it was the culmination of their 10-year friendship with writer/director/producer/star Emily Robinson
-
Rob Riggle and the Pirate King team on the dramedy and how it hit him harder emotionally than many of his projects
-
David Dastmalchian and the Sender team on the psychological thriller and how it gave the DC Universe vet a career-first
-
Jorma Taccone and the Over Your Dead Body team on adapting the acclaimed comedy and watching Jason Segel "get beat to s--t"
-
Olivia Colman and The Fox team on the unique origin story behind the fantasy comedy
-
The Edie Arnold is a Loser team on how a Chris Evans box office flop inspired their film
-
The Dark Wizard team on how their four-part HBO Max series tells the deeper story of its infamous climber subject
-
Riz Ahmed on Bait and how his Prime Video comedy was able to pull off its James Bond connection
-
Kelly Marie Tran and Vera Miao on Rock Springs and the horror film's multiple-timeline structure
-
The Forbidden Fruits team on their new cult horror movie and its sheer range of genre influences
-
Leighton Meester and the Basic team explaining why the social media-driven comedy leaves out one specific element
-
John Carney on Power Ballad and how the Paul Rudd and Nick Jonas-led comedy continues a 19-year tradition for him
-
John Goodman and the Chili Finger team on their wild new comedy and how filming it proved surprisingly relaxing
-
Joe Bird and Adrian Chiarella on how their acclaimed new film Leviticus is more than just a horror movie
-
Josh Holloway details his movie return after over a decade with He Bled Neon
-
The Chasing Summer team shares how their Iliza Shlesinger-led small town comedy balances laughs with heartstring-pulling drama
-
How Daniel Diemer's baseball body horror warns of the dangers of steroid use in competitive sports