Hollywood has big plans for 2026, with several potential blockbusters lined up for the year, including hotly anticipated movies like Dune: Part Three, Avengers: Doomsday, The Odyssey, and more. And the streaming services aren’t slacking off either; all the major streaming platforms have exciting new titles coming out in 2026, including some brilliant hits that have already arrived on screens.
They might not all be as widely talked-about as some of their theatrical counterparts, but these new streaming movies have captured the hearts of audiences with their entertaining stories, brought to life by some of the most talented people working in the industry today. So, without further ado, here’s our selection of the best new streaming movies that have been released so far in 2026.
1 ‘The Rip’ (2026)
Streaming On: Netflix
Image via NetflixStarring Ben Affleck and Matt Damon and written and directed by Joe Carnahan, The Rip is inspired by the true story of Miami-Dade County Police Captain Chris Casiano, following a team of police officers on a raid operation. When they discover a secret stash of millions during the raid, it sets off a major internal conflict within the group as they begin to suspect each other of stealing the money, destroying their trust in and loyalty to each other. Besides Affleck and Damon, the action thriller also stars Teyana Taylor, Steven Yeun, Sasha Calle, Catalina Sandino Moreno, Scott Adkins, and Kyle Chandler in key roles.
With themes of self-preservation, greed, moral ambiguity, and police corruption, The Rip draws its themes and motifs from classic action thrillers, but it also feels very timely despite the old-school narrative. Damon and Affleck’s ever-excellent chemistry is undoubtedly the strongest element of the film — the primary engine driving the narrative — while the action scenes add a much-needed punch. The Rip has been well-received by critics ever since its Netflix premiere in January, and the film has been widely praised for its entertaining story and nostalgic touch.
2 ‘Peaky Blinders: The Immortal Man’ (2026)
Streaming On: Netflix
Image via NetflixA British crime drama film directed by Tom Harper and written by Steven Knight, Peaky Blinders: The Immortal Man is a film sequel to Knight’s historical crime drama series, Peaky Blinders. The movie takes audiences back to the streets of Birmingham, England, amid the devastation and chaos of WWII, following series protagonist Tommy Shelby as he returns home from his self-imposed exile to protect the future of his family and country. Cillian Murphy returns as the central character, Tommy Shelby, with Stephen Graham, Sophie Rundle, Ned Dennehy, Packy Lee, and Ian Peck also reprising their roles. The film adds Rebecca Ferguson, Tim Roth, Jay Lycurgo, and Barry Keoghan to the franchise as new characters.
The Immortal Man marks an explosive ending to Tommy Shelby’s journey, serving as a fitting finale to his decade-long saga. One of the most anticipated films of 2026 before its release, the film surpassed all expectations with Murphy’s remarkable return as the complex and intriguing antihero, perfectly matched by Keoghan's scene-stealing performance. On its release, Peaky Blinders: The Immortal Man became the most-watched title on Netflix, and the film has been critically praised for successfully recapturing the essence of the television show and translating it to the big screen.
3 ‘Mike & Nick & Nick & Alice’ (2026)
Streaming On: Hulu
Image via HuluA sci-fi action crime comedy film written and directed by BenDavid Grabinski, Mike & Nick & Nick & Alice follows Nick, an enforcer for the mob, who his future self visits to stop him from killing his fellow gangster, Mike, who had an affair with Nick’s wife, Alice. The three of them embark on the most chaotic night of their lives, navigating time travel paradoxes, betrayals, and the consequences of past actions. Vince Vaughn stars as Nick, James Marsden as Mike, and Eiza González as Alice, with Keith David, Jimmy Tatro, Stephen Root, Dolph Lundgren, and Ben Schwartz in supporting roles.
A great combination of action, comedy, and time travel, Mike & Nick & Nick & Alice makes for a wild, crazy, and high-energy caper that fans of films like Back to the Future might enjoy. The sci-fi comedy leans heavily towards its “wacky buddy comedy” trope, dominated by a double dose of Vince Vaughn at his humorous best. Mike & Nick & Nick & Alice premiered at the 2026 SXSW Film Festival, where it received largely positive reviews, with critics praising the dynamics of the lead trio and the supporting performances.
Collider Exclusive · Oscar Best Picture Quiz
Which Oscar Best Picture
Is Your Perfect Movie?
Parasite · Everything Everywhere · Oppenheimer · Birdman · No Country
Five Oscar Best Picture winners. Five completely different visions of what cinema can be — and what it can do to you. One of them is the film that was made for the way your mind works. Ten questions will figure out which one.
🪜Parasite
🌀Everything Everywhere
☢️Oppenheimer
🐦Birdman
🪙No Country for Old Men
FIND YOUR FILM →
01
What kind of film experience do you actually want? The best movies don't just entertain — they leave something behind.
ASomething that pulls the rug out — that makes me think I'm watching one kind of film and then reveals I'm watching another entirely. BSomething overwhelming — funny, sad, absurd, and genuinely moving, all at once. CSomething grand and weighty — a film that makes me feel the full scale of what I'm watching. DSomething formally daring — a film that pushes what cinema can even do. ESomething lean and relentless — pure tension with no wasted frame.
NEXT QUESTION →
02
Which idea grabs you most in a film? Great films are driven by a central obsession. What's yours?
AClass, inequality, and what people are willing to do when desperation meets opportunity. BIdentity, family, and the chaos of trying to hold your life together when everything is falling apart. CGenius, moral responsibility, and the catastrophic weight of a decision you can never take back. DEgo, legacy, and the terror of becoming irrelevant while you're still alive to watch it happen. EEvil, chance, and whether moral order actually exists or if we just tell ourselves it does.
NEXT QUESTION →
03
How do you like your story told? Form is content. The way a story is shaped changes what it means.
AGenre-twisting — I want it to start in one lane and migrate into something completely different. BMaximalist and genre-blending — comedy, action, drama, sci-fi, all in one ride. CEpic and non-linear — cutting between timelines, building a mosaic of cause and consequence. DA single unbroken flow — I want to feel like I'm living it in real time, no cuts to safety. ESpare and precise — every scene doing exactly what it needs to do and nothing more.
NEXT QUESTION →
04
What makes a truly great antagonist? The opposition defines the protagonist. What kind of opposition fascinates you?
AA system — invisible, structural, and almost impossible to fight because it has no single face. BThe self — the ways we sabotage, abandon, and fail the people we love most. CHistory — the unstoppable momentum of events that no single person can stop or redirect. DThe industry — the machinery of culture that chews up talent and spits out irrelevance. EPure, implacable evil — a force so certain of itself it becomes almost philosophical.
NEXT QUESTION →
05
What do you want from a film's ending? The final note is the one that lingers. What do you want it to sound like?
AShock and inevitability — a conclusion that recontextualises everything that came before it. BEarned emotion — I want to cry, laugh, and feel genuinely hopeful, even if the world is a mess. CDevastation and grandeur — an ending that makes me sit in silence for a few minutes after. DAmbiguity — something that leaves enough open that I'm still thinking about it days later. EBleakness — an honest refusal to pretend the world is tidier than it actually is.
NEXT QUESTION →
06
Which setting pulls you in most? Where a film takes place shapes everything — mood, stakes, what's even possible.
AA gleaming modern city with a hidden underside — beauty masking rot, wealth masking desperation. BA collapsing suburban life that opens onto something infinite — the multiverse of a single ordinary person. CThe corridors of power and science at a world-historical turning point — where decisions echo for decades. DThe grimy, alive chaos of New York and Hollywood — fame as both destination and trap. EVast, indifferent landscape — desert and highway where violence arrives without warning or reason.
NEXT QUESTION →
07
What cinematic craft impresses you most? Every great film has a signature — a technical or artistic element that makes it unmistakable.
AProduction design and mise-en-scène — every frame composed to carry meaning beneath the surface. BEditing and tonal control — the ability to move between registers without losing the audience. CScore and sound design — music that becomes inseparable from the dread and awe of what you're watching. DCinematography as performance — the camera not recording events but participating in them. ESilence and restraint — what's left unsaid and unshown doing more work than any dialogue could.
NEXT QUESTION →
08
What kind of main character do you root for? The protagonist is the lens. Who you choose to follow says something about you.
ASomeone smart and resourceful who makes increasingly dangerous decisions under pressure. BSomeone overwhelmed and ordinary who turns out to be capable of something extraordinary. CA brilliant, tortured figure whose gifts and flaws are inseparable from each other. DA self-destructive artist whose ego is both their superpower and their undoing. EA quiet, principled person trying to make sense of a world that has stopped making sense.
NEXT QUESTION →
09
How do you feel about a film that takes its time? Pace is a choice. Some films sprint; others let tension accumulate slowly, deliberately.
AI love a slow build when I know the payoff is going to be seismic — patience for a devastating reveal. BGive me relentless momentum — I want to feel breathless and emotionally spent by the end. CEpic runtime doesn't scare me — if the material demands three hours, give me three hours. DI want it to feel propulsive even when nothing is technically happening — restless energy throughout. EDeliberate and unhurried — I want dread to accumulate in the spaces between the action.
NEXT QUESTION →
10
What do you want to feel walking out of the cinema? The best films leave a mark. What kind of mark do you want?
AUnsettled — like I've just seen something I can't fully explain but can't stop thinking about. BMoved and energised — like the film reminded me what actually matters and gave me something to hold onto. CHumbled — like I've been in the presence of something genuinely important and overwhelming. DExhilarated — like I've just seen cinema doing something it's never quite done before. EHaunted — like a cold, quiet dread that stays with me for days.
REVEAL MY FILM →
The Academy Has Decided Your Perfect Film Is…
Your answers have pointed to one Oscar Best Picture winner above all others. This is the film that was made for the way your mind works.
Parasite
You are drawn to films that operate on multiple levels simultaneously — that begin in one genre and quietly, brilliantly migrate into another. Bong Joon-ho's Parasite is a film about class, desire, and the architecture of inequality that manages to be darkly funny, deeply suspenseful, and genuinely shocking across a single extraordinary running time. Your instinct is for cinema that hides its true intentions until the moment it's ready to reveal them. Parasite is exactly that — a film that rewards close attention and punishes assumptions, right up to its devastating final image.
Everything Everywhere All at Once
You want it all — and this film gives you all of it. The Daniels' Everything Everywhere All at Once is one of the most maximalist films ever made: action comedy, multiverse sci-fi, family drama, existential crisis, and a genuinely earned emotional core that sneaks up on you amid the chaos. You are someone who responds to ambition, who doesn't want cinema to choose between being entertaining and being meaningful. This film refuses that choice entirely. It is overwhelming by design, and its overwhelming nature is precisely the point — because the feeling of being crushed by infinite possibility is exactly what it's about.
Oppenheimer
You are drawn to cinema on a grand scale — films that understand history not as a backdrop but as a force, and that place their characters inside that force and watch what happens. Christopher Nolan's Oppenheimer is a film about the terrifying gap between what we can do and what we should do, told with the full weight of one of the most consequential moments in human history behind it. You want your films to feel important without feeling self-important — to earn their ambition through sheer craft and the gravity of their subject. Oppenheimer does exactly that. It is enormous, complicated, and refuses easy comfort.
Birdman
You are drawn to films that foreground their own construction — that make the how of the filmmaking part of the what it's about. Alejandro González Iñárritu's Birdman, shot to appear as a single continuous take, is cinema examining itself through the cracked mirror of a fading actor's ego. You respond to formal daring, to the feeling that a film is doing something that probably shouldn't be possible. Michael Keaton's performance and Emmanuel Lubezki's restless camera create something genuinely unlike anything else — a film that is simultaneously about creativity, relevance, self-destruction, and the impossibility of ever truly knowing if your work means anything at all.
No Country for Old Men
You are drawn to cinema that trusts silence, that refuses to explain itself, and that treats dread as a form of meaning. The Coen Brothers' No Country for Old Men is a film about the arrival of a new kind of evil — implacable, arbitrary, and utterly indifferent to the moral frameworks we use to make sense of the world. It is one of the most formally controlled films ever made, and its controlled restraint is what makes it so terrifying. You want your films to haunt you, not comfort you. You are not interested in resolution if resolution would be dishonest. No Country for Old Men is honest in a way that most cinema never dares to be.
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4 ‘People We Meet On Vacation’ (2026)
Streaming On: Netflix
Image via NetflixA romantic comedy directed by Brett Haley and based on the 2021 novel by Emily Henry, People We Meet on Vacation tells the story of Poppy and Alex, two contrasting characters who become close friends in college during a road trip. As they go on vacation together every year for a decade, their friendship becomes deeper, and they develop romantic feelings for each other, complicating their dynamic. Emily Bader and Tom Blyth star as the polar opposite friends, Poppy and Alex, respectively, with Alan Ruck, Molly Shannon, Sarah Catherine Hook, Jameela Jamil, Lukas Gage, and Miles Heizer in supporting roles.
Both the original book and the film take inspiration from rom-com classics like When Harry Met Sally, serving as a fun and charming throwback to the traditional friends-to-lovers trope. Bright and breezy, the film is anchored by the charismatic performances of Bader and Blyth and the sparkling chemistry between them, which makes their decade-long love story move effortlessly along the film’s runtime. On its release, People We Meet on a Vacation met with a positive reception for its cozy, nostalgic feel and scenic visuals that are sure to satisfy rom-com lovers.
5 ‘Good Luck, Have Fun, Don’t Die’ (2026)
Streaming On: Prime Video
Image via Briarcliff EntertainmentAfter more than a decade, Academy Award-winning filmmaker Gore Verbinski returns to directing with this all-new sci-fi action comedy starring Sam Rockwell as the protagonist. Good Luck, Have Fun, Don’t Die follows a mysterious man from the future, who travels back in time to recruit a group of patrons at an LA diner who can help him fight a rogue AI. Besides Rockwell as the man from the future, the film’s ensemble cast also stars Haley Lu Richardson, Michael Peña, Zazie Beetz, Asim Chaudhry, Tom Taylor, and Juno Temple in prominent roles.
Though it did not perform well at the box office, Good Luck, Have Fun, Don’t Die was a critical success after its world premiere at the 2025 Fantastic Fest. The film has been praised for its unpredictable and inventive approach to exploring the subject of artificial intelligence, stepping beyond the usual conventions to deliver a highly original experience. An irreverent high-concept sci-fi comedy on the lines of Everything Everywhere All at Once, Good Luck, Have Fun, Don’t Die is a fantastic addition to Gore Verbinski’s filmography and a welcome comeback for the acclaimed director.
6 ‘War Machine’ (2026)
Streaming On: Netflix
Image via NetflixDirected, co-written, and co-produced by Patrick Hughes, War Machine is a sci-fi action thriller that follows an elite training team of the United States Army Rangers in the final stages of selection. While on their last training mission led by 81, a combat engineer, the group finds themselves facing an unimaginable threat from a deadly, otherworldly force. Alan Ritchson stars as the team lead, 81, with Dennis Quaid, Stephan James, Jai Courtney, Esai Morales, Keiynan Lonsdale, Jarryd Goundrey, and Daniel Webber in supporting roles.
A pulse-racing survival thriller that sees human soldiers going up against an unstoppable killing machine, Netflix’s War Machine is heavily reminiscent of War of the Worlds and similar sci-fi action classics, with a more militaristic focus. Alan Ritchson brings plenty of his Reacher energy to the role of 81, effectively taking audiences through the action spectacle. Despite the fairly shallow characterizations and unimpressive dialogue, War Machine became immensely popular at the time of its release, finding a following among Reacher fans and audiences who like straightforward, sci-fi action thrillers without a lot of character or narrative complexities.
7 ‘The Wrecking Crew’ (2026)
Streaming On: Prime Video
Image via Prime VideoDirected by Blue Beetle director Ángel Manuel Soto and written by Jonathan Tropper, The Wrecking Crew is a buddy cop action-comedy film that stars Dave Bautista and Jason Momoa as estranged half-brothers James and Jonny. Reuniting in Hawaii after their father’s mysterious death, the brothers set out to investigate the truth behind their father’s passing, uncovering long-buried secrets and a sinister conspiracy. Besides Momoa and Bautista, the film also stars Claes Bang, Temuera Morrison, Jacob Batalon, Frankie Adams, Miyavi, Stephen Root, and Morena Baccarin in supporting roles.
With its high-octane action sequences, unbelievable stunts, and pulpy odd-couple comedy, The Wrecking Crew is a nod to films like Hobbs & Shaw and similar popular buddy comedies. Momoa and Bautista make for an explosive duo with their contrasting characters, one a loose-cannon cop and the other a by-the-book special forces officer. At the time of its Prime Video premiere, The Wrecking Crew received a warm welcome from critics and viewers, earning praise for Momoa and Bautista’s sibling dynamic and stunt choreography, while facing some criticism for the shallow story and two-dimensional characterizations.
8 ‘Pretty Lethal’ (2026)
Streaming On: Prime Video
Image via Prime VideoAn action thriller film directed by Vicky Jewson and written by Kate Freund, Pretty Lethal follows a dysfunctional group of five ballerinas on their way to a prestigious competition in Budapest. When their bus breaks down in the middle of a remote forest, the girls take shelter at a hotel run by a former prima ballerina (Uma Thurman) and inadvertently find themselves caught up in a deadly situation, which forces them to use their ballet skills to fight back against a dangerous gang. Iris Apatow, Lana Condor, Millicent Simmonds, Avantika, and Maddie Ziegler star as the ballerinas, with Michael Culkin, Lydia Leonard, and more in supporting roles.
Fusing ballet moves with violent action, Pretty Lethal is fun and feisty in parts, and is a pretty entertaining movie, even if it doesn’t feature any really memorable moments that make it stand out within its genre. That being said, the well-choreographed action set pieces and a great performance from Uma Thurman make this action thriller worth watching. On its premiere, Pretty Lethal had mixed reviews from fans and critics alike, receiving criticism for its loose plotting but some praise for its action and acting.
Release Date March 25, 2026
Runtime 88 minutes
Director Vicky Jewson
Writers Kate Freund
Producers Kelly McCormick, Mike Karz, Piers Tempest, Bill Bindley
English (US) ·