3 Binge-Worthy Netflix Series Worth Watching This Weekend

1 week ago 7

Published May 22, 2026, 8:41 AM EDT

In over three years at Collider, senior author Jake has now penned over 3000 articles covering a wide range of TV and film for the resources, lists, utilities, news, and interview teams. Alongside interviewing stars such as Selin Hizli, Rose Ayling-Ellis, Harlan Coben, and Chelsea Peretti, Jake was lucky enough to visit the set of Aardman and Netflix's Wallace and Gromit: A Vengeance Most Fowl in 2024, getting the chance to chat with four-time Academy Award winner Nick Park and Merlin Crossingham. Jake has also worked for other publications, including Agents of Fandom. You can also hear Jake every week as the resident film and TV journalist on Track Radio.

The past month or so has been far from memorable on Netflix. According to recent data, between April 13 and April 19, no Netflix series made it into the top 10 for the first time since Nielsen started reporting streaming data. The previous worst week for Netflix? The one before, with April 2026 a month those working at the streamer would rather forget. However, in the month since, Netflix has released some enticing new options for those hungry for something to binge. With that in mind, and with the streamer in a much better place, here's a list of three shows you should binge-watch on Netflix this weekend.

For more recommendations, check out our list of the best shows and movies on Netflix.

Disclaimer: These titles are available on US Netflix.

1 'The Boroughs' (2026)

At the very end of 2025, Netflix lost one of its flagship shows as Stranger Things officially came to an explosive and controversial end. For those looking to fill the void that the lack of the Upside Down has left, the show's creators, the Duffer Brothers, have just delivered their latest project: The Boroughs. All eight episodes are available to stream now, having debuted on Netflix this past Thursday.

Produced by the Stranger Things duo and created by Jeffrey Addiss and Will Matthews, the series is set in a retirement facility and follows an unlikely group as they must go head-to-head with a dangerous threat. The show stars Alfred Molina, Bill Pullman, Geena Davis, Alfre Woodard, Clarke Peters, and more in a stacked cast, which also boasts the directing prowess of Ben Taylor, Augustine Frizzell, and Kyle Patrick Alvarez.

Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you'd actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

🚀Star Wars

TEST YOUR SURVIVAL →

You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.

APull on every thread until I understand the system — then figure out how to break it. BStop asking questions and start stockpiling — food, fuel, weapons. Questions don't keep you alive. CKeep my head down, observe carefully, and trust no one until I know who's pulling the strings. DStudy the patterns. Every system has a rhythm — learn it, and you learn how to survive it. EFind the people fighting back and join them. You can't fix a broken galaxy alone.

NEXT QUESTION →

In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.

AKnowledge. If you understand the system, you don't need resources — you can generate them. BFuel. Everything else — movement, power, escape — runs on it. CTrust. In a world of fakes and informants, a truly reliable ally is rarer than any commodity. DWater. And after water, information — the two things empires are truly built on. EShips and credits. The galaxy is big — you survive it by being able to move through it freely.

NEXT QUESTION →

What kind of threat keeps you up at night? Fear is useful data — if you're honest about what you're actually afraid of.

AThat reality itself is a lie — that everything I experience has been constructed to keep me compliant. BA raid. No warning, no mercy — just the roar of engines and then nothing left. CBeing identified. Once someone with power decides you're a problem, you're already out of time. DBeing outmanoeuvred — losing a political game I didn't even know I was playing. EThe Empire tightening its grip until there's nowhere left to run.

NEXT QUESTION →

How do you deal with authority you don't trust? Every dystopia has a power structure. Your approach to it determines everything.

ASubvert it from the inside — learn its rules well enough to weaponise them against it. BIgnore it and stay out of its reach. The further from any power structure, the better. CAppear to comply while doing exactly what I need to do. Visibility is the enemy. DManoeuvre within it carefully. You can't beat a system you refuse to understand. EResist openly when I have to. Some things are worth the risk of being seen.

NEXT QUESTION →

Which environment could you actually endure long-term? Survival isn't just tactical — it's physical, psychological, and very much about where you are.

AUnderground bunkers and server rooms — cramped, artificial, but with access to everything that matters. BOpen wasteland — brutal sun, no shelter, constant movement. At least the threat is honest. CA dense, rain-soaked city where you can disappear into the crowd and nobody asks questions. DMerciless desert — extreme heat, no water, and something enormous living beneath the sand. EThe fringe — backwater planets and busy spaceports where the Empire's attention rarely reaches.

NEXT QUESTION →

Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.

AA tight crew of believers who've seen behind the curtain and have nothing left to lose. BOne or two people I'd trust with my life. Any more than that and someone talks. CNobody, ideally. Alliances are liabilities. I work alone unless I have no choice. DA community bound by shared hardship and mutual survival — people who need each other to last. EA ragtag team with wildly different skills and total commitment when it counts.

NEXT QUESTION →

Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they're actually made of.

AI won't harm the innocent — even the ones who'd report me without hesitation. BI do what I have to to protect the people I've chosen. Everything else is negotiable. CThe line shifts depending on who's asking and what's at stake. DI draw a long-term line — nothing that compromises my people's future, even if it'd help now. ESome lines, once crossed, can't be uncrossed. I know which ones they are.

NEXT QUESTION →

What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.

AWaking others up — dismantling the illusion so no one else has to live inside it. BFinding somewhere — or someone — worth protecting. A reason to keep moving. CAnswers. Understanding what I am, what any of this means, before time runs out. DLegacy — shaping the future in a way that outlasts me by generations. EFreedom — for myself, for others, for every world still living under someone else's boot.

REVEAL MY WORLD →

Your Fate Has Been Calculated You'd Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You're a systems thinker who can't help but notice the seams in things.

You're drawn to understanding how the system works before figuring out how to break it.
You'd find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines' worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You'd be the one probing the walls for the door.

Mad Max

The wasteland doesn't reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That's you.

You don't need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you're good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.

Blade Runner

You'd survive here because you know how to exist in moral grey areas without losing yourself completely.

You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You're not a hero. But you're not lost, either.
In Blade Runner's world, that distinction is everything.

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

Patience, discipline, and political awareness are your core strengths — and on Arrakis, they're survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You'd learn its logic and earn its respect.
In time, you wouldn't just survive Arrakis — you'd begin to reshape it.

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn't have it any other way.

You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You'd gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire's grip can be broken.
You fight — not because you have to, but because standing aside isn't something you're capable of.
In Star Wars, that willingness is what makes all the difference.

↻ RETAKE THE QUIZ

2 'Mating Season' (2026)

If you have no attraction to live-action and have more of an animation persuasion, then fear not, as another new arrival to Netflix this past week is perfect for your weekend binge. A new animated comedy from the creators of Big Mouth, Mating Season follows a group of amorous animals, including bears, raccoons, and foxes, who engage in the wilder side of life on the hunt for true love.

Certainly not an animated series for the whole family, this raunchy show leaves nothing to the imagination on the hunt for unlikely romance and plenty of laughs. A satirization of modern dating, this intelligent series boasts a strong voice cast, led by Zach Woods, Nick Kroll, June Diane Raphael, and Sabrina Jalees. It also features Jason Mantzoukas, Andrew Rannells, Sarah Silverman, Abbi Jacobson, and many more.

3 'Law & Order' (1990–Present)

Rotten Tomatoes: 83% | IMDb: 7.8/10

Benjamin Bratt, Jerry Orbach, Carey Lowell, and Sam Waterston in Law and Order.

Sometimes the weekend is the perfect time to begin a binge-watch that is sure to overtake your year. One of the most popular crime procedurals of all time, the legendary Dick Wolf's Law & Order has been a staple of network television for 36 years, with the latest installment, Season 25, coming to an explosive end earlier this month.

Although Netflix doesn't play host to the entire series, there is currently enough of this iconic procedural on the platform to provide a perfect sample. A winner of six Primetime Emmys and countless other awards during its run, this indulgent, fast-paced look at the chaos inside the New York criminal justice system has kept generations of viewers entertained for decades. If you're yet to start, there is no better time than the present.

Release Date September 13, 1990

Showrunner Rick Eid

Directors Constantine Makris, Edwin Sherin, Jace Alexander, David Platt, Matthew Penn, Martha Mitchell, Don Scardino, Christopher Misiano, Jean de Segonzac, Michael Pressman, Daniel Sackheim, Alex Chapple, Fred Berner, Fred Gerber, Gloria Muzio, James Frawley, Jim McKay, Vincent Misiano, Michael W. Watkins, Vern Gillum, Alex Hall, Dann Florek, Darnell Martin, David Grossman

Writers René Balcer, Matt Witten, David Slack, Aaron Zelman, David Wilcox, Morgan Gendel, Pamela J. Wechsler, Lynne E. Litt, Marc Guggenheim, Stephanie Sengupta, Scott Gold, Walon Green, Gerry Conway, Sean Jablonski, Nick Santora, Chris Levinson, Christine Roum, Gordon Rayfield, Hall Powell, Keith Eisner, Julie Martin, Gia Gordon, Joe Gannon, Jonathan Collier