The rewind: all the cameras and lenses launched this week

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It’s been another busy week in the photography world, so here’s your recap to make sure you didn’t miss anything.

A large camera lens with a white barrel and black accents, featuring a bold G logo on the side, held in a hand wearing a white shirt.Dale Baskin

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It seems like the camera industry wasn’t content with just one busy week. We’ve seen another rush of announcements in the past few days, and we wouldn’t blame you if you missed a few things among all the articles we’ve put out. So let’s recap everything that happened this week.

The Instax Pal gets an unexpected follow-up

Silver Instax camera held in a hand above a DJ mixer, with colorful lights and displays in the background.Fujifilm

The Instax Pal was always a bit of an odd duck: a gumdrop-shaped camera that only shot digital, despite bearing the name of Fujifilm’s instant film brand. This week, though, the company released a successor with a completely different design, recalling the tiny 110 film cameras of old. (Strangely, not the only one of its kind released this week: Camp Snap announced something similar.) Alongside it, Fujifilm launched an updated version of its Instax Link Wide printer.

Silver and black Instax camera featuring a large lens, control dials, and display screen, positioned against a plain light background.Fujifilm

Fujifilm Instax Pal 2

The Canon EOS R8 II

The EOS R8 II in hand, seen from the front.Mitchell Clark

Canon has updated its entry-level full-frame camera, fixing two of our major complaints about the original in the process with the inclusion of IBIS and an autofocus joystick. While we still have our complaints – the tiny LP-E17 battery has been untouched, and the RF mount remains strictly under Canon’s control – we were left with a very positive first impression. Check out our full initial review for all the details.

The front plate of the EOS R8 II with its sensor visible.Canon

Sony’s twin telephoto lenses that won’t break the bank (or your back)

Two large camera lenses labeled 400mm and 600mm, one stacked above the other in a hand, against a neutral background.Dale Baskin

The super telephoto game has never been cheap to get into and, make no mistake, it still isn’t. But Sony’s new 400mm F4.5 and 600mm F6.3 GM are steps towards making it a bit more accessible, coming in at $2700 and $3700, respectively (both just under $10,000 less than their faster counterparts). The lenses are shockingly similar, coming within a gram of each other, and their optical formulas have a lot of shared glass.

White and black telephoto camera lens featuring a red G logo, multiple control switches, and a tripod mount, set against a light background.Sony

Sony FE 400mm F4.5 GM OSS

Large white telephoto camera lens with black rubber grip, lens hood, and side control switches; features an orange G logo and is mounted on a white tripod collar.Sony

Sony FE 600mm F6.3 GM OSS

Panasonic’s full-frame 20mm F2.5 cupcake lens

The Panasonic S1RII with a Lumix 20mm F2.5 pancake/muffin lens attached to the front.Mitchell Clark

Not one to miss out on the action, Panasonic also announced a new lens: a 20mm F2.5 option for L-mount that’s not quite as small as a pancake lens, but is around the same size as the 40mm F2 option it released earlier this year. Panasonic once described this style of lens as a “muffin” (read: a baked good thicker than a pancake), but reader nologo suggested that calling it a cupcake would be a more fun descriptor (and, potentially, a less internationally confusing one), which I wholeheartedly agree with.

Keep an eye out for a sample gallery from this lens, coming soon.

Three-quarter view of the Panasonic S 20mm F2.5 muffin lens.Panasonic

Software news

Capture One, Adobe Photoshop Elements and Affinity Photo all received updates this week, with the former improving tethering and AI-assisted culling and the latter promising its biggest update for photography ever. Canon also launched a piece of software that lets you use pictures from some of its cameras to create 3D models of the real-life object you photographed.


Those were all the major launches this week, but I’ll leave you with a pro tip: if you want to make absolutely sure you won’t miss our best stories, and want to see exclusive content from us, be sure to subscribe to our Today in Photography newsletter.

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