My Memory Is Full of Ghosts review – deeply moving visual hymn for the bombed-out Syrian city of Homs

The western Syrian city of Homs is only a husk of its former self. Previously a major industrial centre, the region became a key battleground between 2011 and 2014, for Bashar al-Assad’s army and rebel forces. Amid the immense bloodshed, hundreds of thousands of civilians were either displaced or trapped inside their own homes. Filmed in the summer of 2023, this deeply moving documentary from Palestinian-born and Syria-based film-maker Anas Zawahri maps out the collective trauma and sorrow that continue to linger, even after the shooting has stopped.

Unfolding in languorous, largely static shots of bombed rubble, hollowed-out buildings, and deserted streets, the film lays bare the startling extent of wartime brutality. A sense of stillness and stagnancy hangs in the air, and almost every wall is riddled with bullet holes, urban scars that mirror the psychological wounds borne by the survivors. Their heart-wrenching testimony is laid over these images of destruction, lending a human dimension to the ruins. One resident ruminates over how Homs changed from a city of laughter to one of agony and grief. With bitter irony, another considers himself lucky to be blind, and thus does not have to suffer the mental shock of seeing his beloved home town razed.

Punctuated by songs of lamentation, the film is elegiac in tone, a visual hymn for what Homs once was. While bearing witness to the pain left behind, Zawahri also makes space for the resilience of the living, with a special focus on children and adolescents. The war’s impact on their lives is enormous – many are working as adults instead of going to school, though we see them engage in spirited play, even when surrounded by ruins. With peace more fragile than ever, their innocence and joy strike a bittersweet chord.