Maverick Photographer’s Wildlife Images From the 1960s Document Animals in Crisis

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A rhinoceros runs toward the camera in the foreground, while four people in a vehicle watch from behind it. Dust rises around the rhino’s feet, capturing a sense of movement and urgency. The image is in black and white.

Peter Beard is a unique and often confusing figure in the history of wildlife photography. But without doubt, his book, The End of the Game, remains one of the most important works of early conservation.

Described as a landmark visual investigation of Africa, The End of the Game combines photography and field observation with a documentary approach to the ecological transformation and degradation affecting tens of thousands of elephants, rhinos, and hippos in Kenya’s Amboseli National Park and Uganda in the 1960s and 1970s.

Researched and compiled over two decades and updated several times since its initial release, this is a near-classic and powerful testimony to the damage caused by human intervention in African ecosystems. Its images and writings are supplemented by historical photographs of explorers, missionaries, and photographers, along with quotations from adventurers and observers who witnessed the continent’s changing face.

A black and white photo of a cobra with its hood flared and mouth open, appearing to hiss. Handwritten text is visible in the upper right corner of the image. The background is blurred.

A person squats in dense green foliage, holding a large, curved ivory tusk upright, surrounded by a lush forest background.

A blurred, black-and-white photo of a lion running through tall grass with its mouth open, possibly roaring or panting, capturing a sense of movement and intensity.

Snow-capped mountain peaks with rugged, jagged edges rise sharply against a cloudy sky. Mist and clouds drift around the rocky summits, highlighting the dramatic, contrasting landscape.

a snow-capped mountain peak, two people cutting meat from a large animal carcass, and a person balancing on snow in front of a train or industrial backdrop.

A lioness crouches over and feeds on a carcass in a grassy area, her gaze focused forward, with one paw resting on her prey. The image is in black and white.

A black-and-white image of a newborn elephant calf curled up inside a partially opened amniotic sac, lying on grass, with the umbilical cord and placenta visible nearby.

Who Was Peter Beard?

Peter Beard was an American photographer, diarist, and art-world figure who built a career and a mythology around his obsessive documentation of life, wildlife, and himself. In 1996, he suffered serious injuries after he was trampled by an elephant.

Born into a wealthy New York family, he moved between high society and the wilderness, spending much of his life in Kenya, particularly around Tsavo National Park. There, he created some of his most influential work, including The End of the Game, which used striking, experimental photo-collage techniques to document the collapse of elephant populations and broader environmental strain. The book helped push early awareness of conservation issues while also redefining what documentary photography could look like.

Beyond his work, Beard became known for his chaotic, flamboyant lifestyle that moved through art, fashion, and celebrity circles in New York and abroad, and cultivating a reputation for being a wild man and lothario. His diaries and photo works were intensely personal, often layered with paint, writing, and even blood, turning them into hybrid objects between art and autobiography.

He died in 2020 at age 82 after suffering ill health.

"PETER BEARD" at the top, "THE END OF THE GAME" in large letters in the center, and "TASCHEN" at the bottom.