Image via Universal PicturesPublished Mar 28, 2026, 6:45 PM EDT
Rohan Naahar is a Weekend News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once.
He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema.
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Heaps of movies were caught unawares when China began imposing restrictions on the number of foreign titles it would allow to be screened in its expansive network of theaters. Hollywood had begun to rely on Chinese audiences to push big-budget, visual effects-heavy tentpoles to success. Movies like Transformers: Age of Extinction and Rogue One: A Star Wars Story openly pandered to Chinese audiences by filming sequences set in or around the mainland, and featuring Chinese stars. Both those films were able to pass the coveted $1 billion milestone at the worldwide box office. But another in their ranks failed to deliver the same kind of impact. The movie in question served as a sequel to a sci-fi epic that was virtually saved by Chinese audiences after underperforming in domestic theaters.








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