8 Worst Superhero Movies That Are Truly 0/10

2 days ago 15

Dakota Johnson looks up at a car crash in Madame Web

Published Jun 14, 2026, 5:56 PM EDT

Michael Block is a 14 time GLAM Award nominated writer, producer, and host of the podcast Block Talk. Throughout his time in the entertainment industry, he has worked on and off Broadway as a stage manager, written several produced plays, critiqued hundreds of theatrical performances, drag and cabaret shows, and has produced events randing from drag competitoons to variety concerts!
On Block Talk, he interviews nightlife personalities, covers the wide world of entertainment through features, ranking episodes, and recaps ALL of Drag Race, as well as Dragula and Survivor. He has interviewed hundreds of RuGirls that span the globe at DragCon NYC, DragCon LA, and DragCon UK.
In his free time, he makes one-of-a-kind jewelry and gift baskets with his mom. He is a proud member of the LGBTQ+ community.

One of the most beloved genres of cinema is the superhero movie. Since the incredible rise of Marvel and DC in the 21st century, moviegoers have had their dance cards filled with numerous superhero flicks each calendar year. The epitome of the popcorn blockbuster, superhero films provide a temporary escape from reality as moviegoers watch their favorite characters swoop in and save the day. Whether original IP or pulled from iconic source material, studios have a giant roster of titles to choose from for the big-screen treatment. But just like the individuals wearing capes and spandex, not all superhero movies are good. Some deserve a zero on a scale from one to ten.

While we celebrate titles like The Dark Knight and The Incredibles, our memory banks are forced to recall the absolute clunkers that nearly destroyed franchises, tanked at the box office, and made studio executives question whether the big-screen bangs are actually worth the buck. Today, we are here to discuss eight of the absolute worst superhero movies of all time. Some of these films, simply by mention of name, make us laugh. And no, they were never intended to be comedies. Others fell into the trap of sequels, proving that perhaps it was time to pause from our favorite heroes until the right visionary came along. And then there are just terrible films led by individuals who have no business being superheroes. Sorry, Shaq! The only thing these movies have going for them is that we remember them—for being abysmal. For everyone's ego, we won't rank them, but let's be honest: if your spidey senses are tingling, we all know which film would be at the very bottom.

1 'Batman & Robin' (1997)

Batman (George Clooney) stands next to Robin (Chris O'Donnell) who holds a large diamond in Batman & Robin

The premier live-action superhero that dominated the late '80s and '90s was none other than Batman. Though Warner Bros.' initial film series featured three men playing Bruce Wayne over four films, it was the beloved George Clooney who ended up wearing the infamous cape and tanking the momentum. Not that Batman & Robin was his fault solely, but as one half of the title, he shoulders some of the burden. Directed by Joel Schumacher, the film follows the dynamic duo of Batman (Clooney) and Robin (Chris O'Donnell) as they attempt to save Gotham from two new supervillains, Mr. Freeze (Arnold Schwarzenegger) and Poison Ivy (Uma Thurman), while clashing over their partnership. A wedge is shoved further into their spat thanks to the seduction of Poison Ivy. And then there's the third wheel of it all, Barbara Wilson, aka Batgirl (Alicia Silverstone), who becomes the latest crime-fighter in the equation. An overstuffed, colorful iteration of the classic DC characters, Batman & Robin was a jarring shift from the brooding versions before it.

If you enjoy your Batman like the 1960s Adam West classic, you'll have more of an appreciation for Batman & Robin. If you expected the darker tones established by Michael Keaton and Val Kilmer, you'll loathe this one. With a cartoonish tone and pun-filled dialogue, Batman & Robin chose over-the-top campiness in exchange for the established masked vigilante that had been established. The truth is, with Clooney under the mask, there was no other direction to go. He was poorly miscast, completely missing the substance of the character. While you may have laughed at the ridiculousness that was Schwarzenegger as Mr. Freeze, with his recent run of comedies, it aligned with the direction of his career. Thurman was great. O'Donnell was on the rise. And Silvertone did her best not to be Cher Horowitz. The production design was the film's redeeming quality. Batman & Robin was unabashed fun, but it ruined the momentum. So much so, it took Christopher Nolan to find the nuances of the Caped Crusader in the 21st century to make Batman worthwhile again.

2 'Catwoman' (2004)

Remember how we just discussed how Christopher Nolan saved Batman? Well, Halle Berry and director Pitof didn't get the memo to let Nolan take sole control of the DC comic characters. So, a year before Batman Begins came Catwoman, the film loosely based on the DC Comics character. A far cry from either Eartha Kitt's or Michelle Pfeiffer's iterations of the villain, the 2004 film followed Patience Phillips (Berry), a timid graphic designer at the massive cosmetics company Hedare Beauty. Upon discovering a dark corporate conspiracy led by her boss, George Hedare (Lambert Wilson), regarding a dangerous anti-aging cream, Patience is murdered. But kitties have nine lives, and this cat was mysteriously revived by an Egyptian Mau cat. In turn, the newfound Catwoman gained metahuman abilities, including heightened senses, superhuman speed and agility, and feline intuition, to become the latest masked vigilante. Toss in a cat-and-mouse turned romance with a cop, Tom Lone (Benjamin Bratt), and Sharon Stone as a villain for good measure, and you have a completely wasted opportunity to give a beloved character her time to shine.

At the time, Berry was in the top echelon of Hollywood. In the superhero realm, she had already established herself as Storm in the X-Men films. So why cross into enemy territory for the DC character? Because she could. This Catwoman was not the Selina Kyle comic book fans knew and loved. Instead, Catwoman's inciting incident was a fatal face cream. With a nonsensical plot, jarring direction, and a complete disregard for its IP, Catwoman wasted its nine lives. Perhaps the most egregious decision was the impractical costume design. Gone was the infamous, sleek black catsuit; In was a heavily strapped, backless bra and clawed leather pants, all paired with high heels. Yes, we were meant to believe this woman was about to fight crime. Sex sells, but so does practicality. Catwoman has gained a dedicated cult following. Berry knew how horrid the project was, even accepting her Razzie in person with humor and grace. Though unintentionally so, Catwoman is forever remembered as a camp classic.

3 'Elektra' (2005)

Elektra (Jennifer Garner) fights with her twin sai in Elektra.

I'll be completely honest here. I am a Marvel loyalist. And even as a devoted fan, I know when my favorite company messes up. The early aughts saw Marvel come into its own with the wildly successful X-Men and Spider-Man films. It made sense to try out other major IP. Ben Affleck's star turn as Matt Murdock in Daredevil wasn't all that bad, but no one asked for a direct spin-off led by his real-life lady love, Jennifer Garner. Regardless of the off-screen romance, Affleck and Garner had good on-screen chemistry, but once he was removed from the equation, it exposed how Garner and her character were not fit to carry an entire blockbuster. Directed by Rob Bowman, Elektra tells the story of Elektra Natchios (Garner), a lethal assassin brought back from the dead by a blind martial arts master named Stick (Terence Stamp). Elektra goes rogue to protect a single father, Mark Miller (Goran Višnić), and his teenage daughter, Abby (Kirsten Prout), from a supernatural crime syndicate known as The Hand. Elektra ultimately masters her powers to defeat the evil ninjas, led by Roshi (Cary-Hiroyuki Tagawa) and his son Kirigi (Will Yun Lee).

If the story sounds familiar, it's likely because it was perfected as a subplot in the Daredevil series. So why did the 2005 film flop? The script was weak, the pacing was slow, and the action was disjointed. No offense to the brilliant comic character, but Elektra was always meant to be a cinematic sidekick. Elektra should not be blamed on Garner. In fact, she put her all into the performance. The material she had to work with was subpar at best. The Alias actress had everything necessary to be a blockbuster action star, but a flimsy script that strayed from the darker, grittier source material made for a sanitized product. In a post-The Matrix time, fight choreography, especially martial arts-based combat, was scrutinized. If you're going to toss in slow-mo moments, it has to be sensational. It was not. The fight choreography, as well as the CGI and visuals, were abysmal. Elektra was just an awkward film overall. Though Élodie Yung took on the role in the Netflix series Daredevil and The Defenders, and Garner did pop up as Elektra in Deadpool & Wolverine, it's safe to say that anything is an improvement from that original film.

4 'Fantastic Four' (2015)

The Fantastic Four standing together and looking up in the film Fantastic Four (2015)

We've already discussed how Batman had seen three individuals take on the role, so it's not uncommon to see new iterations of superhero stories emerge through recasting. In fact, the 21st century saw three different young men play Peter Parker. You hate to compare and contrast, but it's inevitable. The first official Fantastic Four film arrived in 2005 with Ioan Gruffudd as Reed Richards, Jessica Alba as Sue Storm, Chris Evans as Johnny Storm, and Michael Chiklis as Ben Grimm. After two mildly successful films, this superteam flew into the sunset, leaving a void. That was until Josh Trank had the chance to reboot the beloved heroes. With a vibrant, youthful, and endearing new quartet, the 2015 Fantastic Four reboot should have been a success. But a Marvel IP not part of the Marvel Cinematic Universe was not only confusing but also likely to be comparatively terrible.

The 20th Century Fox reboot followed a group of young scientists and outsiders who teleport to a dangerous alternate dimension. Their accidental journey alters their physical forms and grants them extraordinary superhuman abilities. Years later, Victor Von Doom (Toby Kebbell) returns from that alternate dimension, plotting to destroy Earth. It's up to the newly formed team to harness their powers and defeat Doctor Doom to save the planet. Utilizing the exact same origin story as its predecessor did 10 years prior, Fantastic Four was so bad, it took nearly another decade before the MCU could fix the damage. Like the Spider-Man reboot with Andrew Garfield, Fantastic Four did its best to form its own identity. Instead, there was no charm or joy to be found. The new quartet—Miles Teller, Michael B. Jordan, Kate Mara, and Jamie Bell—found a progressive new approach to their counterparts, with so much behind-the-scenes interference, it didn't matter what they did; it was doomed to fail.

The biggest woe was that 20th Century Fox wanted so badly for Fantastic Four to be the next Nolan-esque superhero film. It was never going to be the right match or tone, as the source material is inherently bright. It's why The Fantastic Four: First Steps leaned into the vibrant retrofuturistic aesthetic. Stripped away was the dynamic of a found family and the warm optimism the team celebrated. Here, the aesthetic was dull, industrial, and gloomy, so that not even the characters could save. Unless you like body horror, which was one of the rare redeeming qualities. With weak character development and the weakest and most convoluted version of Doctor Doom imaginable, Fantastic Four was never going to be anything but a flop. Fantastic Four is an example of bad things happening to good people.

5 'Madame Web' (2024)

Dakota Johnson standing behind a spider web in Madame Web

Though we said we weren't putting them in a ranked order, the truth is the other films could make a case for second-from-the-bottom; Madame Web is what you get when superhero films hit rock bottom. Madame Web is a well-meaning film. The cast is comprised mostly of great individuals. The IP is pulled from great source material. But if you're looking for a reason as to why Madame Web was botched, it was the execution of a poorly written script led by an actress who had no business taking on the part. Combine the two, and you'll witness some of the worst line readings in the history of cinema. Now that our grievances are out of the way, let's try to figure out any semblance of how Madame Web could have been rescued.

Directed by S.J. Clarkson, the Sony's Spider-Man Universe film follows Cassandra "Cassie" Webb (Dakota Johnson), a Manhattan paramedic who develops clairvoyance after a near-death experience, being revived by her colleague Ben Parker (Adam Scott), of Uncle Ben fame. She must protect three teenage girls—Julia Cornwall (Sydney Sweeney), Anya Corazón (Isabela Merced), and Mattie Franklin (Celeste O'Connor)—from a ruthless, spider-powered assassin, Ezekiel Sims (Tahar Rahim). Why? He is hunting them down to prevent his own prophetic death at their hands in the future. Even though Cassie could see the future, she did not foresee how abhorrent this film would be.

Madame Web was a brilliant source material to pull from. Had it been handled with care, it could have been the launch of a franchise. The problem was inherent in the script. If you thought it could have been written by AI, you wouldn't be to blame. The film was void of any semblance of human emotion. Instead, the script was delivered with clunky chunks of exposition and forced one-liners. The dialogue was incredibly disjointed. Between the inverted Spider-Man proverb and the hilariously ridiculous Amazon line used in promotional material that was changed for the theatrical cut, let's just say Madame Web made Honest Trailers' job far too easy. For an action flick, it was simply sluggish. When your lead has a hard time defending the project, you know you're in deep trouble.

6 'Moribus' (2022)

Michael Morbius looking down in the film 'Morbius'

Maybe one day we'll return and rank the entirety of the SSU, but until then, here's another clunker: Morbius. Two years prior to Madame Web came the Jared Leto-led superhero film centered on the titular Marvel character. The Daniel Espinosa-directed film tells the story of biochemist Dr. Michael Morbius (Leto), who is suffering from a rare, fatal blood disease. To create a cure, he splices human and vampire bat DNA. Though the serum grants him superhuman strength and reflexes, it also transforms him into a living, breathing vampire with an insatiable bloodlust. Financially supported by his surrogate brother Milo (Matt Smith), who shares the same fatal disease, when he discovers the serum, his bloodlust comes without guilt and a killing spree. It's brother versus brother as Morbius works with his colleague and love interest, Martine Bancroft (Adria Arjona), to neutralize the threat. Completely incoherent and filled with immense plot holes, Morbius is nothing but chaotic in all the wrong ways.

Morbius' only positive attributes come from the fact that maybe Leto's real-life eternal youth is thanks to this serum. Joking aside, a Leto-led, Smith-supported flick should have been a smash. Morbius was once again an example of inefficient writing of a plausible subject. Morbius felt far too shoehorned into the SSU, yet didn't have enough legs to stand on. There are some decent moments, including visuals and Smith's entertainingly unhinged performance, but they were not enough to carry the film to victory. Morbius is unintentionally campy. What was crafted as a B-movie approach to a classic superhero origin story was botched in execution.

Collider Exclusive · Marvel Personality Quiz Which MCU Hero Are You? Spider-Man · Daredevil · Iron Man · Punisher · Thor · Cap

Six heroes. One destiny. Answer 10 questions to discover which Marvel Cinematic Universe hero shares your personality, values, and fighting spirit. Will you swing, fly, or thunder your way to glory?

🕷️Spider-Man

😈Daredevil

🤖Iron Man

💀Punisher

⚡Thor

🛡️Cap

FIND YOUR HERO →

What drives you to do what's right? Choose the answer that feels most like you.

AWith great power comes great responsibility — I protect those who can't protect themselves. BMy faith and my conscience — I believe justice must be served, even in the dark. CLegacy and ego, honestly — but I've learned that others depend on me now. DThe system failed. Someone has to make sure the guilty actually pay. EDuty to the innocent and honour to my name — I was born to protect realms. FThe values I was raised with — freedom, decency, and never backing down from a bully.

NEXT QUESTION →

It's 2 AM. Where are you? Your answer says more about you than you'd think.

ASwinging between skyscrapers, keeping an eye on the neighbourhood. BRunning rooftops in Hell's Kitchen, listening for trouble. CIn my lab, upgrading my suit with a cold cup of coffee nearby. DStaking out a target I've been tracking for three weeks. ESomewhere between the stars, or at a feast that got out of hand. FOn a morning run — I was up at 4, actually. Couldn't sleep.

NEXT QUESTION →

How do you handle a villain who keeps escaping justice? Every hero has a method. What's yours?

AWeb them up and leave them for the police — again. BBuild an airtight case and dismantle their entire operation from the inside. CDeploy a containment system I designed specifically for them. Tech wins. DMake sure they don't escape a third time. Permanently. EChallenge them to single combat. Honour demands a decisive end. FRally allies, adapt the plan, and bring them in — by the book, even if it's hard.

NEXT QUESTION →

How do you feel about keeping a secret identity? The mask — or the lack of one — says everything.

AEssential — my loved ones would be in danger if anyone found out who I am. BCritical — the mask protects my mission as much as my face. COverrated — I announced myself to the world and I'd do it again. DI'm a ghost. The less people know about me, the better. EMy name is known across the Nine Realms. There's no hiding it. FI don't hide — but I understand why some need to. Transparency builds trust.

NEXT QUESTION →

You've lost someone important because of your heroism. How do you carry that? Every hero pays a price. The question is how they pay it.

AWith guilt that never fully goes away — it pushes me to do better, every single day. BI channel it into purpose — their memory is the reason I keep fighting. CI buried myself in work for years. I'm only recently learning to face it. DIt transformed me completely. I'm not the same person I was before. EWith warrior's grief — I honour them by fighting with everything I have. FI keep moving forward. Stopping means letting the loss win.

NEXT QUESTION →

What's your role when working with a team? Who you are under pressure is who you actually are.

AThe enthusiastic wildcard who somehow makes it work — and keeps the mood up. BThe strategist who works best alone but shows up when it matters most. CThe one who funds it, equips it, and occasionally takes over the whole operation. DI don't do teams. I'm more effective operating solo, on my terms. EThe heavy hitter — I crash in, draw fire, and turn the tide of battle. FThe leader — I earn trust, build the plan, and make sure no one gets left behind.

NEXT QUESTION →

Where do you draw the line between justice and revenge? The answer defines what kind of hero you really are.

AClearly — I don't kill, and I wrestle with that line constantly. BI try to hold the line, but I've come terrifyingly close to crossing it. CPractically — I do what's necessary to protect people, including hard calls. DI crossed that line long ago. What I do is justice — the system just won't admit it. EIn battle, victory is justice. Mercy is earned — not automatic. FFirmly. The moment we abandon our principles, we become what we fight against.

NEXT QUESTION →

When you're not saving the world, what does life look like? The person behind the mask is always the more interesting story.

ATrying to juggle school, a part-time job, and not failing my friends. BWorking as a lawyer by day, fighting for justice in court and on the streets. CRunning a global company, attending galas, and pretending I'm sleeping enough. DQuiet. Isolated. Surviving with a clear mission and no distractions. ENavigating a bizarre and fascinating mortal world — coffee is extraordinary. FAdapting to a world decades ahead of everything I knew. Quietly, stubbornly.

NEXT QUESTION →

What keeps you up at night? Fear is useful data — if you're honest about what you're actually afraid of.

AThe people I couldn't save — and the ones I might not reach in time tomorrow. BWhether the monster I fight every night is starting to live inside me too. CThe threats I can see coming and whether my tech is actually good enough. DNothing. Silence is the only peace I get. I've made my choices. EWhether I'm truly worthy — of the hammer, of the throne, of the people I protect. FA world where no one stands up anymore. Where good people do nothing.

NEXT QUESTION →

The battle is lost. You're outnumbered, outgunned, and exhausted. What do you do? This is your tiebreaker — choose carefully.

ACrack a joke to buy a second, then find the one web shot that changes everything. BBlock out everything except the sound of the next threat — and keep going. CActivate the emergency protocol I built for exactly this scenario. Always have a plan. DI don't accept that it's lost. I keep fighting until I physically cannot anymore. ECall the lightning. All of it. The storm answers to me. FPick up the shield. Stand up. Because as long as I can stand, it's not over.

REVEAL MY HERO →

Your Hero Has Been Identified Your MCU Hero Is…

Based on your answers, the Marvel hero who matches your spirit, values, and instincts has been revealed.

🕷️ Spider-Man

You carry the weight of the world on shoulders that are younger than they should have to be — funny, loyal, and endlessly self-sacrificing.

You do the right thing not because it's easy, but because no one else will.
You understand that responsibility isn't a burden you choose — it's one that finds you.
Whether it's a neighbourhood mugging or a multiverse crisis, you show up.
Peter Parker's lesson — that great power demands great responsibility — isn't a slogan to you. It's the code you live by, even when it costs you everything.

😈 Daredevil

You fight in the shadows between law and chaos, guided by a fierce moral compass that refuses to let the guilty walk free.

You use every tool available — your mind, your body, your faith — to protect those the system overlooks.
You've looked into the darkness and chosen not to become it, though the line has never been easy.
Matt Murdock's duality — champion in the courtroom, devil in the alley — mirrors your own.
Relentless, conflicted, and unwilling to stop. That is exactly you.

🤖 Iron Man

Brilliant, driven, and occasionally insufferable — but always the person who solves the unsolvable problem.

You lead with your mind and back it up with resources, innovation, and a stubbornness that borders on heroic.
You started out looking out for yourself, but somewhere along the way the world became your responsibility.
Tony Stark's arc — from ego to sacrifice — is your arc too.
You build, you plan, and when the moment comes, you're willing to give everything. Because in the end, you're Iron Man.

💀 The Punisher

You've been through fire that would break most people — and it did change you, completely. What's left is unyielding, relentless, and operating by a code forged in grief.

You don't ask for forgiveness, and you don't expect gratitude.
You see a corrupt, broken world and you've decided to do something about it, consequences be damned.
Frank Castle's war is born from love twisted by loss — and so is yours.
Uncompromising and unflinching — the world may not agree with your methods, but your conviction is absolute.

⚡ Thor

Powerful, proud, and on a lifelong journey to become worthy of the legend you carry.

You lead with strength but have learned — sometimes painfully — that true greatness comes from humility and growth.
You're larger than life, yet more vulnerable than you let on.
Thor's story is one of transformation: from arrogant prince to worthy king, from isolated warrior to beloved protector.
You bring the storm when it's needed — and the warmth when it matters just as much.

🛡️ Captain America

You believe in something bigger than yourself — and you fight for it even when the world has moved on and nobody else will.

You don't bully the small guy, and you never stop when it gets hard.
Steve Rogers didn't become a hero when he got the serum — he was always one. So were you.
Your strength isn't in your fists; it's in your refusal to compromise what's right, no matter the cost.
In a world full of people taking the easy road, you're the one who picks up the shield and stands up — every single time.

↻ RETAKE THE QUIZ

7 'Steel' (1997)

Steel standing on the street holding a metal rod in Steel

If you completely forgot that NBA legend Shaquille O'Neal was in a superhero film, you're not alone. But don't confuse it with Kazaam, in which he played a 5,500-year-old genie. And don't confuse that with the DC superhero Shazam! Now that the confusion is out of the way, if you're perplexed as to why O'Neal was cast in the blockbuster, we're still pondering the same question. Loosely based on the DC comic character, Steel centers on John Henry Irons (O'Neal), an Army weapons specialist who creates non-lethal neutralizing weapons. Upon a tragic testing accident that leaves his partner, Susan Sparks (Annabeth Gish), paralyzed and causes the military project to shut down, Irons quits in disgust. He discovers that his disgruntled former colleague, Nathaniel Burke (Judd Nelson), has been stealing and selling weapons. Irons takes matters into his own hands. Irons forges a bulletproof suit of armor and a signature electro-hammer and takes to the streets as Steel, waging a one-man war to dismantle Burke's criminal enterprise. The epitome of a schlocky '90s movie, Steel was irredeemable. If you groaned when Shaq uttered, "It's hammer time," you're in for a painful journey.

Steel was nothing but bad. There was an inherent camp factor that was forced into the project. At least Michael Jordan was in his element when he took on Space Jam. The basketball pro here was out of his depth attempting to carry an entire blockbuster on his back. He may have believed his star power and affability would be a slam dunk, but it was nothing more than an airball. Steel was bogged down by a stiff performance by O'Neal. You could suspend enough disbelief that he was playing a brilliant weapons designer, but watching him try to literally maneuver was nearly impossible. Steel was stripped of its comic lore, watered down in the process into an anti-violence story. Which was quite ironic. Steel was a monumental moment for cinema, as O'Neal was among the first African Americans to portray a major comic book superhero in a motion picture. That incredible fact didn't help save the abysmal execution. Steel played like a cheesy PSA that looked as handmade as the supersuit.

8 'Superman IV: The Quest for Peace' (1987)

We all have great reverence for the OG Man of Steel, Christopher Reeve. His run as Superman remains one of the greatest portrayals of Clark Kent of all time. But by the time he reached his fourth mainline installment, rather than leave the cape behind on a high, his legacy was nearly tarnished. Directed by Sidney J. Furie, Superman IV: The Quest for Peace was sadly laughable. In this sequel, Superman embarks on a global crusade to rid the world of nuclear weapons by collecting warheads and throwing them into the sun. Meanwhile, his archenemy Lex Luthor (Gene Hackman) escapes prison and creates an evil, solar-powered clone called Nuclear Man (Mark Pillow), deadset on destroying the Man of Steel. While the film did provide the epic speech on global disarmament to the United Nations, we simply cannot forgive the cheap special effects and incoherent plot.

Superman can do a lot of things, but overcome a sweeping budget cut he cannot. The diminished budget cut compromised the film significantly, resulting in a poorly executed flop. Not every antagonist is going to be perfect, but Nuclear Man deserved all the ridicule he received. He was not a threat, simply a mockery. The costume. The hair. The only way Nuclear Man would have been worse would have been if Reeve had played the clone himself. But that budget would never have allowed it. Superman IV: The Quest for Peace was a corny film that forced the Man of Steel to suffer a nearly two-decade hiatus on the big screen. Superman IV: The Quest for Peace literally was a franchise killer.