Image via Prime VideoPublished Apr 28, 2026, 12:18 AM EDT
Dyah (pronounced Dee-yah) is a Senior Author at Collider, responsible for both writing and transcription duties. She joined the website in 2022 as a Resource Writer before stepping into her current role in April 2023. As a Senior Author, she writes Features and Lists covering TV, music, and movies, making her a true Jill of all trades. In addition to her writing, Dyah also serves as an interview transcriber, primarily for events such as San Diego Comic-Con, the Toronto International Film Festival, and the Sundance Film Festival.
Dyah graduated from Satya Wacana Christian University in October 2019 with a Bachelor's degree in English Literature, concentrating on Creative Writing. She is currently completing her Master's degree in English Literature Studies, with a thesis on intersectionality in postcolonial-feminist studies in Asian literary works, and is expected to graduate in 2026.
Born and raised between Indonesia and Singapore, Dyah is no stranger to different cultures. She now resides in the small town of Kendal with her husband and four cats, where she spends her free time cooking or cycling.
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If multi-season shows are too much of a commitment, miniseries — especially those on Prime Video — are a great alternative. They're ideal for viewers with limited time or anyone who wants a complete story without keeping up with multiple seasons. With a tight run of three to eight episodes, these series are designed to deliver strong plots within an allotted timeframe.
Contrary to popular belief, that limitation doesn't weaken the storytelling. If anything, it sharpens the focus, pushing showrunners to make every moment count and avoid filler. What viewers get are stories that are worth watching right from the beginning to the end. With that in mind, here are the Prime Video miniseries that are perfect from start to finish.
'Dead Ringers' (2023)
Image via Prime VideoInspired by David Cronenberg's 1988 movie of the same name, Dead Ringers follows twin gynecologists Beverly (Rachel Weisz) and Elliot Mantle (Weisz) in Manhattan, who literally share everything. Driven to open their own experimental birthing center, the two receive the financial backing of billionaire Rebecca Parker (Jennifer Ehle). However, their unethical fertility research goes into frenzy. It doesn't help that the two sisters are just inches away from tearing each other apart due to the trauma from Beverly's repeated miscarriages and Elliot's sociopathic tendencies.
It's always impressive when the same actress plays twins on screen. The point of Dead Ringers isn't to determine which twin is "better," but to explore why they behave the way they do — a nuance Weisz delivers through a detailed character study. It's one thing to build chemistry with another actor, but it's an entirely different challenge to do it with yourself. On a broader scale, the miniseries critiques the medical industry's shortcomings, particularly the questionable ethics surrounding women's reproductive health and infertility.
'Swarm' (2023)
Image via Prime VideoStan culture turns sinister in Swarm. Dre (Dominique Fishback) is a young woman who, just like any other person her age, is a huge fan of pop star Ni'Jah (Nirine S. Brown). However, her parasocial love for the Beyoncé-like figure goes sideways when she murders someone for insulting the singer. The series then follows Dre as her obsession literally takes her on a journey: from Ni'Jah's house in Houston to Ni'Jah's concert in Atlanta — not without a few devotion killings in between.
It's one thing to be part of a fandom, but Swarm is more than just a simple story about an overzealous fan. Beneath Dre's string of bloody murders is someone deeply hurt — someone who never learned a healthy way to cope with trauma. She may be difficult to root for, given her behavior. Swarm shows that sometimes, people are in the fandom not necessarily because of the pop star itself, but because it's a form of escape.
'I'm a Virgo' (2023)
Image via Prime VideoComing-of-age becomes larger-than-life in I'm a Virgo. Cootie (Jharrel Jerome) isn't just like any other 19-year-old. For one, there's his height, which is a staggering 13 feet tall. Because of his physique, his aunt and uncle keep him hidden in Oakland, fearing that someone would exploit him. Having been sheltered for most of his life, Cootie finally breaks out of his comfort zone, learning to embrace a world that sees him differently.
In a way, I'm a Virgo is a surreal, superhero story. Although Cootie doesn't fit the conventional hero mold, he embodies the spirit in his own way. Aware of the responsibility that comes with his immense size, he feels compelled to confront the injustices he sees around him. At the same time, his sheltered upbringing shapes him into a gentle giant — both curious about the world's wonders and easily frightened by its smallest details.
'The English' (2022)
Image via Prime VideoNo woman is safe in the wild, wild West. The English follows Lady Cornelia Locke (Emily Blunt), an Englishwoman who arrives in the American West in 1890 seeking revenge on the man she blames for her son's death. Along the way, she meets Eli Whipp (Chaske Spencer), a Pawnee ex-cavalry scout traveling to Nebraska to claim land promised for her military service. As they journey together, they discover a shared past that forces them to confront the brutal realities of the frontier.
The English stays true to Western storytelling by relying on showing rather than telling. It also examines how privilege loses its power in these lands. Money can only guarantee so much, and as a woman in a hypermasculine world, Cornelia's wealth offers limited protection. At the same time, the series portrays Native characters like Whipp with a grounded, spiritual connection to the land, shaped by deep-rooted grievances over its dispossession.
Collider Exclusive · Taylor Sheridan Universe Quiz
Which Taylor Sheridan
Show Do You Belong In?
Yellowstone · Landman · Tulsa King · Mayor of Kingstown
Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn't write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.
🤠Yellowstone
🛢️Landman
👑Tulsa King
⚖️Mayor of Kingstown
FIND YOUR WORLD →
01
Where does your power come from? In Sheridan's world, everyone has leverage. The question is what kind.
ALand, legacy, and a name that's been feared and respected for generations. BKnowing the deal better than anyone else in the room — and being willing to walk away first. CReputation. I've earned it the hard way, and everyone in the room knows it. DBeing the only person both sides will talk to. That makes me indispensable — and dangerous.
NEXT QUESTION →
02
Who do you put first, no matter what? Loyalty in Sheridan's universe is always absolute — and always costly.
AFamily — blood or chosen. The ranch, the name, the people who carry it with me. BThe company — or whoever's signing the cheques. Loyalty follows the contract. CMy crew. The men who stood with me when it counted — I don't abandon them for anything. DMy community — even when my community is a powder keg and I'm the only thing stopping it from blowing.
NEXT QUESTION →
03
Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it's crossed.
AQuietly, decisively, and in a way that sends a message to everyone watching. BI outmanoeuvre them legally, financially, and politically before they even know I've moved. CDirectly. Old school. You cross me, you hear about it to your face — and then you deal with the consequences. DI absorb it, calculate the fallout, and find the move that keeps the whole system from collapsing.
NEXT QUESTION →
04
Where do you feel most in your element? Sheridan's worlds are as much about place as they are about people.
AWide open land — mountains, sky, silence. Somewhere you can see trouble coming from a mile away. BThe oil fields of West Texas — brutal, lucrative, and indifferent to whoever happens to be standing on top of them. CA mid-size city where the rules haven't quite caught up yet — fertile ground for someone with vision and nerve. DA rust-belt town built around a prison — where everyone's life is shaped by what's inside those walls.
NEXT QUESTION →
05
How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.
AI do what has to be done to protect what's mine. I'll answer for it eventually — but not today. BGrey is just business. The line moves depending on what's at stake, and I move with it. CI have a code — it's not the law's code, but it's mine, and I don't break it. DI've made peace with it. Keeping the peace requires compromises most people don't have the stomach for.
NEXT QUESTION →
06
What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they're defending.
AA way of life that the modern world is doing everything it can to erase. BMy position — and the leverage that comes with being the person everyone needs to close a deal. CRelevance. I've been away, I've been written off — and I'm proving that was a mistake. DWhatever fragile order I've managed to build — because without it, everything burns.
NEXT QUESTION →
07
How do you lead? Authority in Sheridan's world is never given — it's established, maintained, and constantly tested.
ABy example and force of will. People follow me because they believe in what I'm protecting — and because they know what happens if they don't. BThrough negotiation and leverage. I don't need people to like me — I need them to need me. CBy being the smartest, most experienced person in the room and making sure everyone quietly knows it. DBy being the calm centre of a situation that would spiral without me — and accepting that nobody thanks you for it.
NEXT QUESTION →
08
Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.
AThey'll learn. Or they won't. Either way, the land was here before them and it'll be here after. BI figure out what they want, what they're worth, and whether they're an asset or a problem — fast. CI was the outsider once. I give them a chance — one — to show they understand respect. DNew players destabilise everything I've built. I assess the threat and manage it before it manages me.
NEXT QUESTION →
09
What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.
AMy family's peace — maybe their innocence. The ranch demands everything, and I've let it take too much. BRelationships, time, any version of a normal life. The job eats everything that isn't nailed down. CYears. Decades in some cases. Time I can't get back — but I'm not done yet. DMy conscience, mostly. And the ability to ever fully trust anyone on either side of the wall.
NEXT QUESTION →
10
When it's over, what do you want people to say? Sheridan's characters all know the ending is coming. The question is what they leave behind.
AThat I held the line. That the land is still ours and everything I did was worth it. BThat I was the best at what I did and that no deal ever got closed without me at the table. CThat I built something real, somewhere nobody expected it, and I did it on my own terms. DThat I kept the peace when nobody else could — and that the town is still standing because of it.
REVEAL MY SHOW →
Sheridan Has Spoken You Belong In…
The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you're complicated enough to straddle two Sheridan universes.
🤠 Yellowstone
🛢️ Landman
👑 Tulsa King
⚖️ Mayor of Kingstown
You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world's indifference to history, to land, to legacy, is not something you're willing to accept quietly. You lead from the front, you carry your family's weight without complaint, and when someone threatens what's yours, you don't escalate — you finish it. You're not cruel. But you are absolute. In Yellowstone's world, that combination of ferocity and loyalty doesn't make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.
You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You're a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they'll do to get it. You're not naive enough to think this world is fair. You're smart enough to be the one deciding who it's fair to.
You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you're not above reminding people that the two aren't mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they'd be finished — who find, in an unfamiliar place, that they're more capable than the world gave them credit for. You don't need a throne. You build one, wherever you happen to land.
You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you're the only one positioned to do it without the whole thing collapsing. Mike McLusky's world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You've made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.
↻ RETAKE THE QUIZ
'A Very English Scandal' (2018)
Image via Prime VideoBased on John Preston's book, A Very English Scandal dramatizes the real-life Thorpe affair. At a time when homosexuality was illegal in Britain, Liberal MP Jeremy Thorpe (Hugh Grant) chose to pursue an illicit relationship with stable boy Norman Scott (Ben Whishaw). As Thorpe's political ambitions grow, he tries to keep Scott under wraps, but secrecy isn't enough. Scott must be silenced, which leads to a failed murder plot and a 1979 trial for conspiracy.
A Very English Scandal questions who the victim is in situations like this. In a perfect world, the two could have pursued their same-sex relationship openly without repercussions. However, because Thorpe is an upper-class public figure and a target of the ravenous English press, his romance ultimately means little. At the end of the day, the privileged tend to prioritize their image to protect their interests — and no matter how "real" the relationship was, Scott, as a working-class man, matters less to Thorpe.
'Daisy Jones & The Six' (2023)
A rock 'n roll story of the ages, Daisy Jones & The Six is the television parallel of A Star is Born. Set in 1977, the miniseries follows a rock band from the pits of obscurity to the peaks of popularity. Much of their fame comes from the constantly feuding singers, Daisy Jones (Riley Keough) and Billy Dunne (Sam Claflin). The two might fight a lot, but it definitely drives the band's record sales — that is, until the two call it quits at a sold-out show at Chicago's Soldier Field. Decades later, the band reunites to recount what went wrong.
Fans of Stevie Nicks and Lindsay Buckingham, rejoice. With Fleetwood Mac's chemistry serving as the backbone of the original book behind the television miniseries, Daisy Jones & The Six is no less burning with passion (which Nicks herself has acknowledged). There’s a constant push-and-pull that drives the miniseries, made even more complicated as their hearts are tied to their shared artistry. There's a difference between making music as bandmates and as lovers — and when the two collide, it affects not only those in the relationship but everyone around them as well.
'The Underground Railroad' (2021)
Image via Prime VideoSet in the 1800s, The Underground Railroad follows Cora Randall (Thuso Mbedu), an enslaved woman on a Georgia plantation, who escapes with newcomer Caesar Garner (Aaron Pierre) using a literal underground train hidden beneath the South. With the help of conductors and secret tunnels, they travel through dangerous slave states toward the North and Canada, constantly hunted. Based on the real abolitionist network of safe houses and routes, The Underground Railroad is a historical truth swept in magic realism, bringing out the fragility of their promise of freedom.
Such is the nature of historical dramas, especially those about American slavery — there's often a tendency to over-sensationalize trauma for shock value. However, The Underground Railroad feels no need to do that. Thanks to its miniseries format, it creates layered stories that touch on the complexity of the era. Even as the main characters are hunted, it never fully turns into a thriller. Much of the priority goes into unpacking their backgrounds, and helping audiences understand the people who lived through this period.
The Underground Railroad
Release Date 2021 - 2021-00-00
Network Amazon Prime Video
Showrunner Barry Jenkins
Directors Barry Jenkins









English (US) ·