7 Forgotten Mystery Shows That Have Aged Like Fine Wine

1 week ago 5

The mystery genre is a booming art form full of fascination and intrigue. Where can you find better stories that grip you from start to finish than with this one? It's dominated storytelling for centuries and heavily influenced cinema over the last 100 years. Lately, it's taken television by storm, delivering pulse-pounding, suspenseful narratives that have kept viewers coming back every episode and each season to figure out what happens next in the story and characters.

Indeed, mystery television is wildly popular these days. From groundbreaking classics like Columbo and Murder, She Wrote to revolutionary game-changers like David Lynch's Twin Peaks and the most recent True Detective, the mystery genre has certainly had an impact on broadcasting history. But, it's only a shame that not all the greatest mystery shows were highly revered at the time or best remembered today. Unlike some of the more iconic shows, their flawless series have captivated us, shocked us, and pulled us into the mystery each week. Here are the marvelous mystery shows that, while they aren't as highly regarded or memorable today, have proven to be quite impressive and actually get better with age.

'Top of the Lake' (2013–2017)

Elizabeth Moss looking to the side, sitting with her back against an interior brick wall in Top of the Lake.

From the combined efforts of Austrian filmmaker Jane Champion and screenwriter Gerard Lee, Top of the Lake is a two-season mystery drama series hailing from Australia. Featuring a stellar ensemble, including Elisabeth Moss, David Wenham, and Academy Award winners Holly Hunter and Nicole Kidman, it focuses on a separate shocking crime each season, following the lead detective, Robin Griffin (Moss), as she uncovers who was behind them.

Despite its positive reviews and widespread acclaim, Top of the Lake is a hidden gem that even some hardcore mystery fans haven't even seen. Perhaps due to it not reaching the level of recognition like other American shows or because there's just such a vast pool of compelling mystery dramas out there, it quietly faded away after its run, but has still, of course, retained its praise. Watching it today still generates the feeling of intrigue and the need to see every episode to see what shocking reveal will happen next. Along with its elevated cast, near-perfect writing, gripping themes, shocking plot twists, and emotional character drama, Top of the Lake is truly a show you wouldn't skip out on.

'Pushing Daisies' (2007–2009)

Ned holding a strawberry in Pushing Daisies "Pie-lette"

Certainly one of the most delightfully bizarre and charming mystery shows to appear here, ABC's Pushing Daisies was a unique comedy-drama series that aired from 2007 to 2009. It was a show not many people were expecting or were ready for, but it has slowly garnered better recognition it deserves. Lee Pace stars as Ned, an ordinary pie-maker with an ability to reanimate anything with a simple touch. Along with the assistance of a private investigator (Chi McBride), he goes on solving how the murder victims were killed.

With a wildly, one-of-a-kind premise like that, it's no wonder Pushing Daisies is one of the most oddly fascinating and creative mystery shows ever made. Its uniqueness earned it a claim at the time and plenty of Primetime Emmy nominations, but it couldn't save it from being cut, as a writers' strike and low ratings cancelled it far too soon. In the years since, it's not as memorable or has been ranked alongside other iconic shows, but it's still quite enjoyable. It honestly gets more fun with every rewatch.

'Monk' (2002–2009)

Airing eight seasons on the USA Network from 2002 to 2009, Monk is a comedic drama mystery series that follows the life of Adrien Monk (played by Tony Shalhoub), a gifted San Francisco police detective who is put on leave after the traumatic murder of his wife worsens his Obsessive-Compulsive Disorder. Now working as a private consultant, he helps the police solve unusual cases while trying to overcome his many tics and phobias.

Monk is the right mix of laugh-out comedy and heartfelt drama, all perfectly combined in an exciting detective mystery narrative that clearly takes some inspiration from Columbo. It's charming, funny, and incredibly emotional at times, and delights with each episode. It's a shame Monk isn't as well remembered now as when it was in its heyday, but it nonetheless continues to be a blast upon rewatches, and keeps on being hilarious and charming even after being off the air for nearly two decades.

'The Killing' (2011–2014)

An American retelling of the Danish television series Forbrydelsen, The Killing is a mystery crime thriller show which premiered on AMC in 2011 and was picked up for a third season after cancellation by Netflix in 2014. A tense, dark, and eerily atmospheric story, it stars Mireille Enos and Joel Kinnaman as Seattle detectives tasked with investigating the murder of a local teenage girl. Through slowly piecing together clues and evidence, the two come to suspect the killer was someone close to her.

The Killing instantly grabs you with a huge question of just who committed this tragic crime, and who was the closest one had their own reasons for harming the girl. Each episode leading to the inevitable reveal is packed with perfect suspense and slow-burning tension. It kept audiences glued to their screens when it first came out, and although the mystery was solved at the end of Season 2, it's still quite fascinating and interesting to come back to rewatch all the clues that may have been missed upon initial viewing.

Collider Exclusive · TV Medicine Quiz Which Fictional Hospital Would You Work Best In? The Pitt · ER · Grey's Anatomy · House · Scrubs

Five hospitals. Five completely different ways medicine goes sideways on television — brutal, chaotic, romantic, brilliant, and ridiculous. Only one of them is the ward your instincts were built for. Eight questions will figure out exactly where you belong.

🚨The Pitt

🏥ER

💉Grey's

🔬House

🩺Scrubs

FIND YOUR HOSPITAL →

A critical patient comes through the door. What's your first instinct? Medicine under pressure reveals who you actually are.

AStay completely present — block everything else out and work through it step by step, right now. BTriage fast and delegate — get the right people on the right problems immediately. CTrust my gut and move — I work best when I stop overthinking and just act. DAsk the question everyone else is ignoring — what's the thing that doesn't fit? ETake a breath, make a joke to cut the tension, and then get to work — panic helps no one.

NEXT QUESTION →

Why did you go into medicine in the first place? The honest answer says more about you than the one you'd give in an interview.

ABecause I wanted to be where it matters most — right at the edge, when someone's life is actually on the line. BBecause I wanted to help people — genuinely, one patient at a time, in a system that makes it hard. CBecause I was drawn to the intensity of it — the stakes, the drama, the feeling of being fully alive. DBecause medicine is the most interesting puzzle there is — and I needed a problem worth solving. EBecause I wanted to make a difference — and also, honestly, I didn't know what else to do with my life.

NEXT QUESTION →

What do you actually want from the people you work with? Who you want beside you under pressure is who you are.

ACompetence and calm — I need people who don't fall apart when things get bad. BTrust and reliability — I want to know that when I pass something off, it's handled. CConnection — I want colleagues who become family, even if that gets complicated. DIntelligence and the willingness to be challenged — I have no interest in people who just agree with me. EFriendship — people I actually like spending twelve hours a day with, because those hours are going to happen either way.

NEXT QUESTION →

You lose a patient you fought hard to save. How do you carry it? Every doctor who's worked a long shift has had to answer this question.

AI carry it. All of it. I don't look for ways to put it down — that weight is part of doing this work honestly. BI process it and move — you have to, or the next patient suffers for the one you just lost. CI feel it deeply and lean on the people around me — I don't think you're supposed to handle that alone. DI go back over every decision — not to punish myself, but because I need to understand what I missed. EI grieve it genuinely, find some way to laugh about something unrelated, and try to be kind to myself — imperfectly.

NEXT QUESTION →

How would your colleagues describe the way you work? Your reputation on the floor is usually more accurate than your self-image.

AIntense and completely present — no small talk during a shift, but exactly who you want there. BSteady and dependable — not the flashiest in the room but never the one who drops something. CPassionate and occasionally chaotic — brilliant on the hard cases, prone to drama everywhere else. DBrilliant and difficult — right more often than anyone else, and everyone knows it, including me. EWarm and self-deprecating — not the most intimidating presence, but genuinely good at this and easy to like.

NEXT QUESTION →

How do you feel about hospital protocol and procedure? Every institution has rules. What you do with them is a choice.

AProtocol is the floor, not the ceiling — I follow it until the patient needs something it can't provide. BI respect it — the system is broken in places, but the structure is there for a reason and I work within it. CI follow it until my instincts tell me not to — and my instincts are usually right, even when they cause problems. DRules are for people who haven't thought hard enough about when to break them. EI try to follow it and mostly do — with a few memorable exceptions that still come up in meetings.

NEXT QUESTION →

What does this job cost you personally? Nobody works in medicine without paying a price. What's yours?

AEverything outside these walls — I've given this job my full attention and the rest of my life has gone around it. BMy idealism, mostly — I came in believing the system could be fixed and I've made a complicated peace with that. CStability — my personal life has been as chaotic as the OR, and that's not entirely a coincidence. DMy relationships — I am not easy to know, and the people who've tried to would probably agree. EMy sense of gravity — I use humour as a coping mechanism, which not everyone appreciates in a hospital.

NEXT QUESTION →

At the end of a long shift, what keeps you coming back? The answer to this question is the most honest thing about you.

AThe fact that it's real — that nothing else I could be doing would matter this much, right now, today. BThe patients — individual human beings who needed something and got it because I was there. CThe people I work with — I have walked through impossible things with these people and I'd do it again. DThe next unsolved case — there's always another puzzle, and I'm not done yet. EBecause despite everything — the exhaustion, the loss, the absurdity — I actually love this job.

REVEAL MY HOSPITAL →

Your Assignment Has Been Made You Belong In…

Your answers have pointed to one fictional hospital above all others. This is the ward your instincts, your temperament, and your particular brand of dysfunction were built for.

The Pitt

You are built for the most unsparing version of emergency medicine television has ever shown — one that puts you inside a single fifteen-hour shift and doesn't let you look away.

You need your work to be real, not romanticised — meaning over drama, honesty over aesthetics.
You find purpose inside the work itself, not in the chaos surrounding it.
You've made peace with the fact that this job takes from you constantly, and gives back in ways that are harder to name.
Pittsburgh Trauma Medical Center demands exactly that kind of person — and you would not want to be anywhere else.

You are the person who keeps the whole floor running — not the most brilliant in the room, but possibly the most essential.

You show up, do the work, absorb the losses, and come back the next day without needing the job to be anything other than what it is.
You care about patients as individual human beings, not as cases to solve or dramas to live through.
You believe in the system even when it fails you — and you understand that emergency medicine is about holding the line just long enough.
ER is television about endurance. You have it.

Grey's Anatomy

You came to medicine with your whole self — your ambition, your emotions, your relationships, your history — and you have never quite managed to leave any of it at the door.

You feel things fully and form deep attachments to the people you work with.
Your personal and professional lives are permanently, chaotically entangled — and that entanglement drives both your greatest disasters and your most remarkable saves.
You understand that extraordinary medicine often happens at the intersection of clinical skill and profound human connection.
It's messy at Grey Sloan. You would not have it any other way.

House

You are drawn to the problem above everything else — the symptom that doesn't fit, the diagnosis hiding underneath the obvious one.

You're not primarily motivated by the patient as a person — though you are capable of caring, even if you'd deny it.
You work best when the stakes are highest and the standard answer is wrong.
Princeton-Plainsboro exists to house one extraordinary, impossible mind — and everyone around that mind is there because they're smart enough to keep up.
The only way forward here is to think harder than everyone else in the room. That is exactly what you do.

Scrubs

You understand that medicine is tragic and absurd in almost equal measure — and that the only sane response is to hold both of those things at the same time.

You are warm, self-aware, and funnier than most people in your field.
You use humour to get through terrible moments — and at Sacred Heart, that's not a flaw, it's a survival strategy.
You lean on the people around you and let them lean back. The laughter and the grief are genuinely inseparable here.
Scrubs is a show about learning to become someone worthy of the job. You are still very much in the middle of that process — which is exactly right.

↻ RETAKE THE QUIZ

'Wallander' (2008–2016)

Adapted from the novel series by Swedish author Henning Mankell as well as a TV series from his home country, Wallander is a detective crime thriller show following the cases of the titular inspector Kurt Wallander (played by Kenneth Branagh) as he investigates a series of murders and corruption plaguing the small town of Ystad, Sweden.

Like its source material, Wallander is brilliantly written, expertly paced, and full of excellent character development. Branagh was perfectly cast in the title role, capturing this remarkable detective's intelligence and the character's personal struggles with being in such a violent and grim profession. Though some could argue its 2005 counterpart is arguably the definitive version of this gripping detective story, the British version can not be ignored, even though it hasn't gotten much recognition in recent years. It truly gets more impressive upon a second viewing, and can still grip viewers into the mystery.

'The Outsider' (2020)

Ben Mendelsohn standing next to Cynthia Erivo, who is staring at him concerned in The Outsider.

From the masterful work of horror author Stephen King comes one of his most overlooked but greatest TV show adaptations, The Outsider. Released as a miniseries on HBO, this captivating mystery drama does not let go of your attention for a second, as it grips you with a shocking mystery that needs to be solved. Ben Mendelsohn and Academy Award nominee Cynthia Erivo star in this story about a cynical Georgia detective who is on the case to solve the gruesome murder of a young boy.

It's a criminally underappreciated series that encompasses the thrilling mystery and drama of some of the greats, and does something completely unique to stand out thanks to King's exceptional storytelling and, of course, a little help from the talented cast. You'll be invested right from the start and never want to miss a second as the mystery is slowly pieced together. It's only a shame it has been overshadowed by King's other works, as well as other mystery shows, but despite not making as huge a splash as it should have upon release, it's more than made up for this by getting better with age, and slowly it's getting the much-deserved recognition it needs.

'Sherlock Holmes' (1984–1994)

Sherlock Holmes (Jeremy Brett) and John Watson (Edward Hardwicke) stand by a lake in Sherlock Homes series

Sir Arthur Conan Doyle's legendary Sherlock Holmes character has become immortalized in the annals of pop culture. He is perhaps one of the most iconic figures in all fiction, and his impact on the mystery genre is truly remarkable, especially since he's appeared in countless adaptations throughout the last two centuries. Though some were tremendous trailblazers and others were huge flops, one Holmes adaptation that certainly deserves more recognition today was the 1984 TV series simply titled Sherlock Holmes.

This show captures everything that makes Sherlock Holmes such a fascinating literary character, as he and his trusted partner Watson are gloriously brought to the small screen through 41 compelling episodes, mostly all of them featuring plots adapted straight from Doyle's works. Jeremy Brett is widely considered the definitive Holmes for his superb performance, sparking the right balance of intelligence and grace, and sheer determination to solve a mystery. This encompasses the spirit of Doyle's character and doesn't feel dull for a moment. While not many viewers are familiar with it now, it certainly needs to be experienced far more than any modern adaptation of the character.