Link copied to clipboard
Published Aug 24, 2026, 2:15 PM EDT
Director of photography Gustav Danielsson breaks down the seven-on-seven fight and explains why shooting on location in fog and morning mist offered a grittier, more practical alternative to surrounding the action with green screen or filming on an LED stage. He discusses how the team worked with VFX to finesse the fog while preserving what was photographed on the natural set.
English (US) ·