Image via Warner Bros.
Published Nov 12, 2026, 9:00 AM EST
In over three years at Collider, senior author Jake has now penned over 4000 articles covering a wide range of TV and film for the resources, lists, utilities, news, and interview teams. Alongside interviewing stars such as Selin Hizli, Rose Ayling-Ellis, Harlan Coben, and Chelsea Peretti, Jake was lucky enough to visit the set of Aardman and Netflix's Wallace and Gromit: A Vengeance Most Fowl in 2024, getting the chance to chat with four-time Academy Award winner Nick Park and Merlin Crossingham. Jake has also worked for other publications, including Agents of Fandom. You can also hear Jake every week as the resident film and TV journalist on Track Radio.
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Tom Hanks was back in the big-budget box office race earlier this year, after a difficult run of theatrical releases. As his famous, genre-breaking cowboy Woody, Hanks returned alongside Buzz (Tim Allen), Jessie (Joan Cusack), and the rest of the gang in Toy Story 5. After a mixed response to the fourth installment, Toy Story 5 was a return to form for Pixar's most important franchise.
Collider's Taylor Gates gave the movie an 8/10 rating in her review, saying, "The impressive fifth installment not only justifies its existence but feels like a necessary response to how much the world has changed in the past three decades." This was one of several near-perfect responses to the film, which no doubt helped it on its way past the $1 billion barrier at the global box office, currently ranking as the year's third-highest-grossing film. As Hanks fans bask in the glory of a successful return to form for the actor, they will rejoice further, as it has been confirmed that one of his most endearing movies is being given the reboot treatment.
Officially, Hanks' 1998 rom-com favorite, You've Got Mail, is being rebooted at Warner Bros. Jason Orley is attached to direct, 17 years after he was Nancy Meyers' assistant whilst working on the film It's Complicated. Orley is also reportedly working on a script that is based on a previous take by Deborah Kaplan and Harry Elfont, with Neal Moritz and Tania Landau set to produce under the Original Film banner. Sadly, this is about all we know so far, with plot details being kept tightly under wraps.
Collider Exclusive · 8 Questions · 2 Minutes Which Iconic Romance Is Your Favorite? Harry & Sally · Love & Basketball · Heated Rivalry · Titanic
Four great love stories, and four completely different ideas of what love actually is. One is a friendship that took twelve years to admit itself. One is two people who refuse to stop competing. One happens entirely behind closed doors. And one lasts five days and never stops mattering. Eight questions decide which one is really yours.
🍂Harry & Sally(1989)
🏀Love & Basketball(2000)
🏒Heated Rivalry(HBO Max)
🚢Titanic(1997)
FIND YOUR ROMANCE →
01
How does your love story start? The first scene tells you what kind of story this is going to be.
AWe are friends for years before either of us says anything. BWe want the same thing and neither of us backs down. CNobody can know, including our closest friends. DOne look across a room and everything changes.
NEXT QUESTION →
02
What do the two of you keep arguing about? Every great romance has one fight it has over and over.
AWhether this is actually happening, and what to call it. BWhose career comes first this year. CWhether we will ever be honest about this in public. DNothing small. When we fight, it is about everything.
NEXT QUESTION →
03
How do you show somebody that you love them? Grand gestures are easy to write. This is the harder question.
AI remember every single thing they have told me. BI show up to the things that matter to them. CI keep their secrets like they are my own. DI would give up something enormous for them.
NEXT QUESTION →
04
What is actually standing in the way? There is always something. Which something tells you the genre.
ATiming. We keep finding each other at the wrong moment. BAmbition. We both want big lives and they do not match. CThe world. It is not safe to be open about this yet. DEverybody around us has decided this cannot happen.
NEXT QUESTION →
05
Which romantic moment gets you every single time? Be honest. There is one that works on you and you know which.
ASomebody running across a city to say it before midnight. BSomebody in the stands who stayed until the very end. CA look across a crowded room that nobody else catches. DSomebody promising to hold on, and meaning it.
NEXT QUESTION →
06
What would you actually risk for the right person? Every romance asks this. Most people find out far too late.
AA friendship I could never get back. BThe plan I have had for my life since I was a kid. CMy privacy. All of it would become public. DEverything. I would not think about it for long.
NEXT QUESTION →
07
Where are the two of you in ten years? Some love stories are about the meeting. Some are about the staying.
AStill talking. We have never run out of things to say. BBuilding something together, both of us still ambitious. CFinally open about it, after years of being careful. DApart, and I still think about it constantly.
NEXT QUESTION →
08
Which of these sounds most like something you would say? Eight questions in, this is the one that decides your romance.
AI would rather talk to you than anybody else, forever. BI am not giving up either of us. We find a way to have both. CThis is mine, and I am not explaining it to anyone. DI would do the whole thing again, even knowing how it ends.
REVEAL MY ROMANCE →
Roll The Credits Your Romance Is…
Four love stories, four completely different ideas of what it means to be somebody's person. This is the one that matches how you actually fall, and what it would ask of you.
Harry & Sally
You do not fall for strangers. You fall for the person you have already been talking to for years, which is the slowest and by some distance the most durable way anybody has found to do this.
- When Harry Met Sally made the case that the best romance is an argument you enjoy, conducted over a decade, by two people refusing to admit what is happening.
- You want to be known rather than swept away. Somebody who remembers your worst story is doing better work than anybody arriving with flowers.
- The film is unusually honest about timing. These two are wrong for each other repeatedly until suddenly they are not, and neither of them engineered it.
- You would still be talking about everything at eighty. That is the entire promise.
Love & Basketball
You want a partner, not an audience. Somebody who wants their own life as badly as you want yours, and who would never ask you to be smaller to make the relationship easier.
- This is the rare romance where both people have a real career and the film takes both of them equally seriously.
- You would rather be pushed than protected. The right person for you is also a bit of a rival, and that never entirely goes away.
- It understands the actual problem in ambitious relationships. Not whether you love each other, but whose turn it is this year.
- You would still be competing at forty. That is how you would know it was working.
Heated Rivalry
The intensity was never the problem. The secrecy is. You are drawn to a love that lives entirely in private, and to the particular ache of wanting somebody you are not supposed to want.
- Heated Rivalry runs on the oldest engine in romance: two people on opposite sides, meeting in secret, getting far more attached than either of them planned.
- You keep your private life genuinely private, and something in you finds hidden things more real than public ones.
- The tension is not only between the two of them. It is between what they have and what it would cost either one to say it out loud.
- Years of this, and the whole story is really about whether either of them will finally stop hiding.
Titanic
You do not do this cautiously. When it happens for you it is immediate and total and it rearranges everything, and you would not accept a smaller version of it.
- Titanic gave us the biggest romance in film history and then made it last about five days, which is precisely the point of it.
- You measure love by intensity rather than duration. A few days of the real thing beats decades of something merely comfortable.
- The film is not only about the romance. It is about a woman who went on to live an enormous life afterwards because of it.
- You would still be telling this story at a hundred years old, and telling it exactly the same way.
↻ RETAKE THE QUIZ
'You've Got Mail' Was a Box Office Hit
After successfully teaming up on 1993's Sleepless in Seattle, director Nora Ephron and stars Hanks and Meg Ryan reunited for 1998's You've Got Mail to even greater box office success. Against a reported production budget of $65 million, the film returned more than $250 million worldwide, split between a domestic haul of $115 million and a further $135 million from overseas markets. The film came out during a golden period for Hanks, released in the same year as his critical darling Saving Private Ryan and just a year before the beloved Toy Story 2 and The Green Mile.
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Release Date December 18, 1998
Runtime 119 minutes
Director Nora Ephron
Writers Delia Ephron, Nora Ephron
Producers Lauren Shuler Donner, Nora Ephron
English (US) ·