This ‘Star Trek’ Line Still Perfectly Defines the Sci-Fi Franchise 60 Years Later

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 The Original Series Image via Paramount Television

Published Oct 23, 2026, 4:27 PM EDT

Kelcie Mattson is a Senior Features author at Collider. Based in the Midwest, she also contributes Lists, reviews, and television recaps. A lifelong fan of niche sci-fi, high fantasy, Gothic horror, elaborate action, and witty detective fiction, becoming a pop culture devotee was inevitable once the Disney Renaissance, Turner Classic Movies, BBC period dramas, and her local library piqued her imagination.

Rarely seen without a book in one hand and a cup of coffee in the other, Kelcie explores media history (especially older, foreign, and independent films) as much as possible. You'll also find her enjoying video games, amateur photography, geeking out over all music genres, admiring birds from her porch, trying to overcome her meager baking skills, and attending fan conventions with her Trekkie family.

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For 60 years, Star Trek has explored humanity's potential for a better future, even when its characters face the darkest parts of themselves. Few chapters test those ideals as boldly as Star Trek: Deep Space Nine, the franchise's most artistically risky and exquisitely crafted piece of long-form storytelling to date. Franchise mainstay Ronald D. Moore brings his screenwriting talents to the audacious spin-off twice more during its final stretch — including Season 7, Episode 22, "Tacking into the Wind."

Unsurprisingly, given Moore's reputation for detailed worldbuilding and subversive emotional rawness, the episode exemplifies Deep Space Nine at its height: a crackling synergy of riveting sociopolitical weight, elite character growth, and cohesive narrative escalation. And it's a simple-on-the-surface exchange from this episode, not one of the dozens of bracing quips or eloquent monologues from previous entries, that serves as a masterful microcosm of Deep Space Nine's lasting resonance and the ideals at the heart of Star Trek.

One 'Star Trek: Deep Space Nine' Exchange Delivers the Franchise's Most Important Lesson

The Dominion War, Deep Space Nine's crowning arc, boxes its exceedingly complex heroes into exceedingly complex internal conflicts. The forever honorable Captain Benjamin Sisko (Avery Brooks) realizes he can accept tarnishing his soul to defeat a ferocious enemy, while Bajoran resistance veteran Kira Nerys (Nana Visitor) educates her former oppressors in the same guerrilla warfare tactics she once deployed against them as a freedom fighter.

Her Cardassian pupils include Damar (Casey Biggs), a long-time foe turned begrudging ally who recently defected from Cardassia's alliance with the Dominion. During "Tacking into the Wind," Damar learns that the Dominion has murdered his wife and son in retaliation for his rebellion. Stunned into grieving stillness, Damar can't fathom an empire insidious enough to wage war by thoughtlessly sacrificing "innocent women and children." He wonders aloud, "What kind of people give those orders?" Kira, while compassionate about two lost lives, quietly responds by slicing him open with a blade of accountability: "Yeah, Damar. What kind of people give those orders?"

This moment wouldn't carry as much profound significance without Deep Space Nine's multi-season interconnectivity. By this point, Kira has healed her mosaic of wounds without relinquishing her rage — nor should she surrender it. Raised during Cardassia's decades-long occupation of Bajor, she knows firsthand the abject cruelty, the labor camps, the mass murders, the "I was following orders" rationalizations, and how to respond in kind via an insurgency. With immeasurable generational tragedy humming beneath her skin and a Cardassian military officer in close quarters, Kira turns both the irrevocable reality of war and Damar's culpability back on him.

'Star Trek: Deep Space Nine' Strengthens the Franchise's Optimism by Testing Its Limits

Even though the Kira of Season 7 regrets striking a defenseless former enemy, her searing, point-blank wisdom unravels Damar into an ideological crisis. For many individuals whose proximity to power keeps them insulated from harm, it doesn't matter when torment and subjugation befall a stranger; brutality only becomes substantive once it arrives at their own doorstep. Now that Damar's reeling from an atrocity identical to the ones for which he's culpable — and now that he shares a sliver of the same pain the Bajorans have experienced countless times over — he recognizes the useless horror of it all.

Unable to answer Kira's accusation, Damar walks away in silence, leaving her words hanging between them. Even a season earlier, it would've been impossible to imagine this self-described loyal patriot reconciling with his own sins as well as those of his self-serving, stagnant, imperialist civilization — let alone act upon his realization that the poisonous old ways he once vowed to uphold must be shattered and remade. If the Cardassians keep chasing after conquest and glory, they won't survive long enough to even attempt to atone for the bloodshed they've aided and abetted.

Deep Space Nine fully realizes the franchise's potential by expanding Trek's progressive fundamentals to their breaking point. Like buffing a diamond into shining sharpness, testing the idea of a peaceful future by measuring the cost required to achieve it strengthens Trek's optimism into a hope that's more bittersweet, fragile, but worth cherishing all the more. By Deep Space Nine's finale, the series' surviving characters find closure because trial-by-fire reassessments like Damar's have forced them to abandon their initial prejudices, oversights, or naivety.

Although it's been a bitter pill to swallow, their adjusted vision for the future doesn't lack the franchise's defining idealism; it's stronger and clearer for acknowledging the cycles of violence and their answering inevitability: righteous resistance against war, corruption, and would-be tyrants. Some manner of change can always happen, however small — and maybe, just maybe, the ultimate change can finally take hold: human nature's best virtues rising above its worst.

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Star Trek: Deep Space Nine

Release Date 1993 - 1999-00-00

Network Syndication

Showrunner Michael Piller, Ira Steven Behr

Directors David Livingston, Les Landau, Allan Kroeker, Winrich Kolbe, LeVar Burton, Avery Brooks, Rene Auberjonois, Cliff Bole, Michael Vejar, James L. Conway, Alexander Singer, Kim Friedman, Paul Lynch, Reza Badiyi, Corey Allen, David Carson, Stephen L. Posey, Victor Lobl, Jesús Salvador Treviño, Jonathan Frakes, Michael Dorn, Alexander Siddig, Anson Williams, John T. Kretchmer
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    Avery Brooks

    Benjamin Sisko

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