The best cameras under $2000 in 2025

6 days ago 20
When you use DPReview links to buy products, the site may earn a commission.
Best Camera Under 2000 dollars 3 2
Updated: September 30, 2025

$2000 or the equivalent in your local currency is a lot to spend on a camera, especially when you're just starting out. However, if you can spare the funds, it's the price bracket where cameras start to get really good. You can expect powerful but easy-to-use autofocus systems, cameras that make it easier than ever to learn the craft of photography, and even some more advanced and capable options.

While this article used to only consider cameras up to $1500, because of inflation (and, in the US, tariffs), this class of camera has risen in price; if a camera cost $1500 when it was introduced in 2019, its successor may now cost around $1800.

The biggest decision will likely be whether to go with a full-frame camera – a name that comes from their sensors being the same size as a frame of 35mm film – or a camera with a smaller APS-C or Micro Four Thirds sensor.

Essentially, choosing a sensor size comes with trade-offs between size, price, and image quality, as well as features. You can get some pretty advanced cameras in all three sensor sizes for under $2000, so that focus on system price and portability vs. peak image quality is the biggest distinction.

After extensive use, the following cameras would be our picks in this price range:


Our picks:


Best camera for under $2000: Nikon Z5II

24MP BSI full-frame sensor | In-body image stabilization | Dual UHS-II card slots

nikon z5 ii three quarters

The Nikon Z5 II is the first full-frame camera to launch for under $2000 that doesn't feel like it's asking you to make big compromises. Lens availability is still a concern, but it's a capable and enjoyable camera to use.
Photo: Mitchell Clark

What we like:

  • Excellent image quality
  • Very good autofocus, for a range of subjects
  • Excellent handling, ergonomics and feature set

What we don't:

  • Reasonable, but not great, battery life
  • Needs to crop to deliver 4K/60
  • Lens choice limited by Nikon
The Nikon Z5II is a full-frame mirrorless camera built around a 24MP BSI CMOS sensor.

It earns its place on this list by being one of the most capable and fully featured full-frame options we've seen at this price point. More expensive options may offer better video, faster burst rates and more bells and whistles, but the Z5II will be more than enough camera for a vast number and variety of photographers. You'll have a hard time outgrowing it.

The Z5II is a solid camera with a deep grip and plenty of customizable buttons. It's comfortable to use, even for long sessions using a relatively large lens.
The autofocus is very good, especially in subject recognition modes. It's not quite as dependable at recognizing people in low light, but it's very competitive and light-years better than even higher-end cameras from just a few years ago.
The Nikon Z5II is almost unimaginably good for a camera priced under $2000.
Video quality is good, though with a decent amount of rolling shutter, and it offers advanced options like Log, HLG HDR and N-Raw capture. Autofocus isn't as dependable as it is in stills.
Image quality is excellent, and the Z5II can capture HLG HDR images using HEIF files for a more life-like viewing experience.
The Z5II is an impressive all-rounder that delivers excellent image quality and good video, underpinned by very good autofocus in a body that's well-designed and comfortable to use. It's hard to see what more an enthusiast photographer could want from a camera.


Sample gallery
This widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.

The other full-frame options

Canon's entry-level full-frame camera, the EOS R8, used to top this list thanks to its great autofocus and detailed, full-width video. With the Z5II, Nikon has caught up in autofocus performance, and we feel its inclusion of IBIS, better viewfinder, autofocus joystick and larger battery make it a significantly nicer full-frame pick.

We also considered the Sony a7c, which is still available at seemingly tempting prices. However, it's a little hard to recommend in 2025; it's essentially a smaller and less-expensive a7 III, which means it also has less sophisticated autofocus, video and image stabilization, as well as clunky, dated menu design. The a7c also has no front control dial – a feature Sony added to the a7c II – and, most significantly, a very small, low-resolution viewfinder.

A single control dial and lack of EVF also keep the Panasonic S9 from a more prominent position on this list, and it doesn't help that its autofocus isn't quite on pace with Canon, Nikon or Sony's greatest.


Enjoyable to shoot with: Fujifilm X-T5

fujifilm x-t5 floating on red background

The X-T5 puts control over all your exposure parameters right on the top plate.
Photo: Richard Butler

What we like:

  • Dedicated dial interface shows your settings
  • Detailed 40MP images
  • Photo-centric design and feature set

What we don't:

  • Autofocus prone to false-positives
  • Significant rolling shutter in e-shutter mode
  • Smaller buffer, lower-spec video than X-H2
The Fujifilm X-T5 is a classically-styled, photo-focused 40MP enthusiast mirrorless camera, based around an image-stabilized BSI sensor.

While the X-T5 doesn't have the absolutely best autofocus or highest-end video, we find its user interface, honed over several generations and complete with every dial you could ever ask for, makes it one of the most enjoyable and engaging APS-C cameras to shoot with.

The X-T5 features dedicated control dials for ISO, shutter speed and exposure compensation, along with a film-era SLR-style low-profile front grip. Its rear screen tilts up and down but also hinges outward for portrait-orientation shooting.
The X-T5 can detect a variety of subjects from animals to vehicles, and tracking performance is quite good with these. Tracking for unrecognized subjects is less dependable and eye detection is prone to false positives. Buffer depth while shooting at 15fps is reasonable.
The X-T5 foregoes some of the X-H2's video features to offer a more photo-centric experience with classic styling
The X-T5 produces highly detailed Raw and JPEG files, with the latter benefiting from Fujifilm's array of attractive 'Film Simulation' color modes. A 40MP APS-C sensor means relatively high pixel-level noise but results that are competitive when viewed at a common output size.
Video performance can be either full width but less detailed, or oversampled from a crop of the sensor. The use of SD cards means it doesn't share the X-H2's high-data-rate ProRes options. There's no headphone jack but audio can be monitored through the USB port with an included adapter.
Having the X-H2 and X-H2S available to meet the needs of videographers allows the X-T5 to fulfill photographers' desires for stills-centric handling and features. For photographers who enjoy Fujifilm's traditional dial-based controls, there's no more capable body than the X-T5.


Sample gallery
This widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.

Most versatile option: Sony a6700

26MP BSI CMOS sensor | 4K/60p video capture | Fully articulating screen

Photo of a Sony a6700 against a grey background

The Sony a6700 combines all-round stills and video capabilities with class-leading autofocus. The standard 16-50mm kit zoom's not great, though.
Photo: Richard Butler

What we like:

  • Front and rear command dials
  • Excellent AF in stills and video
  • 4K/120p capture (with crop)

What we don't:

  • No AF joystick
  • JPEG sharpening can be aggressive

The Sony a6700 is an enthusiast-level APS-C mirrorless camera built around an image-stabilized, 26MP BSI CMOS sensor. It includes an impressive collection of features for both photo and video shooters, and is included on this list because it provides some of the best autofocus you can get in an APS-C camera.

The a6700 has a thumb-and-forefinger dial interface missing from Sony's less expensive models. It’s just slightly larger than previous models in the line, but in exchange, you also get a fully articulating display. However, it lacks the AF joystick found on many cameras in its class.
Autofocus on the a6700 offers class-leading subject detection and tracking capabilities. Combined with a dedicated ‘AI’ processor, it effectively tracks subjects around the frame even when shooting at the maximum 11 fps burst shooting rate.
"Excellent photo and video quality with best-in-class AF in stills and video make it an excellent choice for enthusiasts."
Image quality is very good in JPEG or Raw. JPEG colors are pleasing to the eye, though sharpening can be a bit aggressive. Base ISO noise levels are consistent with other modern APS-C models but in low light it exhibits a little more noise.
The camera produces very detailed 4K video up to 60p with 10-bit color, with good rolling shutter performance. There’s also a 4K/120p mode, albeit with a 1.58x crop. Autofocus performance is top-notch, with a well-designed touch interface. It's a strong option both for videographers and vloggers.
Excellent photo and video quality, best-in-class AF in stills and video, and a deep set of features to support both make it an excellent choice for enthusiasts. Sony's E-mount also includes a good range of available lenses.


Sample gallery
This widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.

Other APS-C cameras worth considering

The Canon EOS R7 is also an excellent option, providing a high-resolution sensor, great autofocus, and the ability to shoot at up to 15fps. Sigma has also recently started making APS-C lenses for RF mount, giving those who want to go beyond the kit lens more options, though there's still no particularly great telephoto option for sports and wildlife photographers.


A fixed-lens option: Fujifilm X100VI

40MP BSI CMOS APS-C X-Trans sensor | 35mm equiv F2 lens | Hybrid viewfinder

fujifilm x100 vi floating on green background

The Fujifilm X100VI is a refinement of everything that made the X100V great, but it's still difficult to buy.
Photo: Richard Butler

What we like:

  • Excellent build quality
  • Subject-detection autofocus
  • Now with in-body image stabilization

What we don't:

  • Lens not especially fast to focus
  • Hard to find in stock

While the rest of our selections from this guide have interchangeable lenses, a feature you might demand at this price point, the incredibly hyped-up Fujifilm X100VI also sits just under the $2,000 price range at a new, higher price than its predecessor and is worth considering.

A fixed-lens camera with a 35mm equivalent F2 lens, the X100VI is in active production following its 2024 launch, and so should be somewhat easier to buy than its constantly out-of-stock forebear. The reality, at the moment, is that it too can still quite hard to find.

Updated with in-body image stabilization and a 40MP BSI CMOS APS-C X-Trans sensor, the X100VI is a significant upgrade over its predecessor despite looking virtually identical.

The addition of subject-detection autofocus has given the X100VI the ability to recognize animals, birds, automobiles, motorcycles and bikes, airplanes, and trains though human (face/eye) detection is a separate mode. However, the lens the X100VI shares with the X100V is not the fastest to autofocus, prioritizing sharpness over speed.

If you're looking to make an investment in a camera with a ton of versatility, the X100VI doesn't compete with cameras that support dozens or hundreds of lenses. But for the price point, it's the best at what it does.


Sample gallery
This widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.

The affordable kit: OM System OM-5 II

20MP Four Thirds sensor | Up to 7.5EV stabilization | IP53-rated dust and water resistance

om-5ii in hand

The OM-5 II offers a smaller, more rugged alternative to APS-C or full-frame cameras.
Photo: Mitchell Clark

Even smaller than APS-C are Four Thirds sensors. The Micro Four Thirds system uses a sensor one-quarter the size of that in 'full-frame,' which means there'll be an appreciable image quality hit in many situations, and it'll be harder to achieve the blurry backgrounds that full-frame can give. The flipside, though, is a significantly smaller system for which some of the lenses are much less expensive.

The OM System OM-5 II is a compact 20MP image-stabilized Micro Four Thirds mirrorless camera. And while most cameras in this list are around $1500-2000 on their own, you can easily get the OM-5 II and a lens while still staying within that budget. We're still working on our full review of it, but its hardware is very similar to that of the original OM-5, so it should perform identically when it comes to image quality and autofocus.



Sample gallery
This widget is not optimized for RSS feed readers. Please open this article's permalink in a browser to view this content.

Why you should trust us

This buying guide is based on cameras used and tested by DPReview's editorial team. We don't select a camera until we've used it enough to be confident in recommending it, usually after our extensive review process. The selections are purely a reflection of which cameras we believe to be best: there are no financial incentives for us to select one model or brand over another.

Read Entire Article