Shania Twain, 60, looks glamorous in FIVE different looks as she handles hosting duties at 2026 ACM Awards

She may be 60, but Shania Twain looked years younger than her true age when she took over hosting duties at the 2026 Academy of Country Music Awards on Sunday.

The Canadian singer–songwriter had all eyes on her svelte figure, and she kept the costume changes coming throughout the broadcast to spice things up.

Twain ultimately cycled through five different ensembles as country's biggest stars gathered at the MGM Grand Garden in Las Vegas, Nevada.

Appearing at the ceremony were a number of contemporary country superstars, and the show featured performances from hitmakers including Lainey Wilson, Blake Shelton, Kacey Musgraves, Miranda Lambert and more.

Twain signaled that she wasn't afraid to steal the spotlight when she walked the red carpet in a sparkling off-the-shoulder gown covered in silver sequins.

They formed leaf-like patterns resembling a tree canopy hovering above a large black cat that stalked across her floor-length skirt. 

The dark cat, which was accented with sequins, looked as if it were slinking through vegetation made from more silver sequins.

Twain added an edgy touch to her outfit with black leather gloves that reached nearly up to her shoulders, thanks to large silver buttons holding them in place.

The Man! I Feel Like A Woman! singer completed her look with a translucent sash draped from her midriff that pooled on the ground, and she wore her lustrous chestnut hair styled with bangs and thick waves cascading down her shoulders.

Her flashy outfit made a striking contrast with Academy of Country Music CEO Damon Whiteside, who wore gray–blue chinos and a navy blue sport coat with both buttons fastened as he posed with her on the red carpet.

Twain stuck to the same theme later in the broadcast, when she hit the stage in a glamorous golden gown that was also decorated with sequins.

The semi-sheer dress – which had a large cutout to showcase her fit legs – used the sequins and jewels more sparingly. 

It was decorated with striped ridges swirling out from her waist and shoulders.

Twain elevated her stature with a pair of open-toe platform heels with golden metallic straps around her ankles, and she spiced up her hairdo with new curls.

The performer excelled at showing off outfits that technically kept her covered up, even though they felt far more revealing than they actually were.

Twain pulled off the trick again when she stepped out in a dress covered in white floral embroidery.

It featured a quasi-conservative design with long sleeves and a skirt that reached to the ground with a small train trailing behind, but the songstress still sizzled thanks to the dress's semi-sheer design, which revealed hints of flesh between the flowers.

She again favored a high, wide slit that put her trim legs on full display, and she accessorized with dangling earrings and gleaming bracelets.

Twain stuck to the floral theme for a darker dress that she wore on stage with Shaboozey.

The two joined forces to wish Willie Nelson a happy 93rd birthday by leading a sing-along of Happy Birthday with the audience.

Shaboozey even recorded a selfie video with the singing audience members, before he presented the award for single of the year – which had previously been won by Nelson in 1982 for You Were Always On My Mind – to Ella Langley for Choosin' Texas.

Twain complemented Shaboozey's dark jeans and black leather duster with her own sheer black dress, which had colorful floral embroidery on one hip, half her chest and the wrist of one of her long sleeves, as if they were part of a corsage.

The translucent outfit revealed Twain's black bodysuit underneath, and it also showcased her sleek figure.

The You're Still The One singer's most conservative look of the night was a black dress that still had plenty of intriguing touches.

It had a long black satin skirt that had turned-down flaps at her waist, which made it look as if she was in the process of stripping out of it.

The dress's bodice was made of semi-sheer black fabric decorated with mounds of rhinestones and sequins, and it had a contrasting white bib and collar that helped her stand out.

Like her other dresses, this one featured a slit in the skirt, and Twain again wore platform heels to elevate her stature.