Airing in 1982 on ABC, in between Airplane! and the subsequent Naked Gun trilogy, Police Squad!, the origin of Nielsen as Drebin, was more than just the blueprint for a classic '80s comedy, but also an invaluable influence on a kind of humor that would soon dominate television. The series by the trio of Jerry Zucker, Jim Abrahams, and David Zucker was cancelled far too soon, but its cult status is untouchable. Starting in November, Police Squad! will make its triumphant Netflix debut, and a wide audience will soon be blessed with this groundbreaking parody of cop dramas.
Of all the iconic shows cancelled far too soon, Police Squad!, the continuation of Nielsen's breakout comedy performance in Airplane! and the origin of his role as Frank Drebin on the big screen, was the most egregious instance of a network pulling the plug on something truly miraculous. Riffing on the Lee Marvin police procedural M Squad, the series by Zucker, Abrahams, and Zucker followed a case-of-the-week format, with Drebin and his fellow officers investigating murders, kidnappings, the mob, and bombings. Just like the film trilogy, Police Squad!'s cast plays everything straight, treating itself like a serious cop drama, while they rattle off puns, wordplay, non-sequiturs, and double entenders. The ZAZ house style — a rapid-fire joke machine featuring a copious amount of sight gags and screwball antics — is in full force. If you paid close enough attention, you could find several jokes hiding in the background, a positive attribute that ironically ruined the show's longevity.
After just six episodes, ABC cancelled Police Squad!, despite early rapturous reviews. Gremlins director Joe Dante, who directed two of the half-dozen episodes, recalled in a 2008 interview that ABC had "no idea what to do with the show," in terms of marketing and scheduling because it lacked a laugh track and its visual resemblance to a serious '60s police procedural. The network's entertainment president, Tony Thomopoulos, later revealed that Police Squad!'s cancellation was essentially ZAZ's own fault, as they were too creative. "The viewer had to watch it in order to appreciate it," the executive said, with TV Guide calling this "the most stupid reason a network ever gave for ending a series." Isn't that a perfect distillation of how so many studios and executives think?
'Police Squad!' Was Ahead of Its Time
In fairness, ABC must have truly been overwhelmed by the level of ingenuity and cunning writing on display in Police Squad!, and diamond-cut jokes like "I'm a locksmith, and I'm a locksmith" can only be appreciated by a viewer who is not simultaneously cooking or folding laundry. Zucker, Abrahams, and Zucker raised the stakes for television as an art form by making a comedy series that, for all its lowbrow humor, contained impressive strokes of craft and joke construction. Paving the way for shows dense with jokes and blink-and-you'll-miss-it references, like The Simpsons and 30 Rock, Police Squad! turned comedy into art, and the ZAZ comedic styling was worthy of the recap and analysis culture of contemporary television.
With reports indicating that Netflix purposefully designs movies and shows to cater to the viewer looking at their phone while streaming, it's clear that studios still haven't learned their lesson from Police Squad!'s cancellation. The phrase "ahead of its time" is beyond clichéd, but it's hard to think of a more apt way to describe Police Squad! The series may even surpass its subsequent film trilogy, as its commitment to parodying cop procedurals was equally scathing of tired tropes and reverential to the gritty tone of classics like Adam-12 and Peter Gunn. After countless underwhelming cheap spoofs in the '90s and 2000s, Leslie Nielsen's shtick ran its course, but his signature deadpan delivery and timing were nothing short of electric in the '80s. No matter how much Netflix seems to encourage second-screen viewing, we implore you to put everything away and marvel at the groundbreaking comedic writing and slapstick of Police Squad!