Meze's walnut-cupped wired headphones impress with a bassy sound, but their headband dings my noggin

Meze Audio 99 Classics 2nd Gen: Two-minute review

The Meze Audio 99 Classics 2nd Gen are some stunners. These walnut-cupped beauties are an upgrade not just on their predecessors, but also on any bona fide entry-level listening headphones in your roster.

Improved earcup and baffle design adds up to better bass control, giving these headphones a controlled oomph above and beyond most closed-backs. High end is crisp without being sharp, and voices sit gloriously in the top end with all the air and throat you could ever want. The 2nd Gens handle most sources admirably, but shine especially bright with vinyl.

A sometimes-obvious scooped middle and a tendency to distort slightly at high volumes – a function of the low impedance, which allows them to work with just about any audio source – leads me, unfortunately, to conclude that they look better than they sound. But that doesn’t mean that they don’t sound good. They sound great. They just look phenomenal.

With the amount of effort that Meze puts into what is, effectively, their step-up set of over-ear headphones, it’s clear that this is a matter of passion as opposed to sheer profit. The design principles on display here are so listener-focused that it’s hard not to be charmed by them, even if basic things such as a tuning-fork headband can sometimes interfere with that listener experience.

In the following paragraphs, I get a bit nitpicky about these things – but it's only because I’m working back from a position of absolutely loving them. And there’s a lot to love about them. Between their excellent build quality, user-friendly part replaceability and a versatility of sound difficult to find in some less-expensive listening options, these close-backs are a great prospect and are among the best wired headphones on the market.

Meze Audio 99 Classics 2nd Gen review: Price & release date

• Released October 29, 2025
• Priced $349 / £319 / AU$649

As the name implies, the 99 Classics 2nd Gen are a redux of Meze’s timeless 99 Classics over-ear headphones. Ten years on from the latter's launch, the 2nd Gens arrive on the scene, with a broad smattering of listener-forward tweaks that build on the enormous goodwill already fostered by this particular line of cans.

Hearteningly, the 99 Classics 2nd Gen are on the cheaper end of Meze’s price spectrum, too, at $349 / £319 / AU$649 – bringing some exceedingly tasteful design (both in sound and aesthetics) in below the brand's mid-range 105 Silvas I reviewed so favourably back in October.

This might be a little on the rich side for wired headphones more generally, unless you’re already of a mind to buy some more audiophilically focused big-budget fare. Even so and for what you’re getting, the Meze 99 Classics 2nd Gen are a compelling prospect indeed. Let’s find out if they’re a compelling purchase, too!

Meze Audio 99 Classics 2nd Gen review: Specs

Meze Audio 99 Classics 2nd Gen review: Features

• Wired over-ears, dual 3.5mm TS inputs
• 16 ohm input impedance
• Mini tweaks for improved balance and performance

The Meze Audio 99 Classics 2nd Gen, much like the first-gen model, are a set of wired headphones with little in the way of modern jiggery-pokery. There’s a lot of familiar stuff here, from the closed-back design to that fabled aesthetic thrust. But, as a serious 2nd Gen update, there’s been some serious performance-improving changes.

One of their more obvious improvements is the provision of bigger earcups, for better low-end control. This is part of a general movement towards a more balanced overall frequency response, something also aided by the addition of a new bass port in each ear cup. Within each earcup, small, iterative changes to shape and construction have made for a wider soundstage, too.

The newly ultra-low 16 ohm impedance of the drivers (down from 32 ohms in the OGs) encourages you to use these with ultra-modern listening devices, like laptop or smartphone outputs, as opposed to hi-fi amps and mixers. Depending on who you ask, this is a genius leveler of a move, enabling these headphones to sing wherever you put them – for me, it’s a bit of a shame, simply for the distortion potential at louder volumes.

The hard-ish case in which these headphones are delivered is trustworthy enough, with a water-resistant inverted zip and some comforting phone-protecting rigidity. Within this case is another, smaller, case – a soft, cylindrical affair, into which the 99 Classics 2nd Gens’ cable and gubbins safely nestle. Whether you trust yourself to take these out on the daily commute is another thing entirely, of course.

Speaking of gubbins, the 99 Classics 2nd Gen come not just with the requisite wiring, but nice requisite wiring in the form of a hefty, braided dual-core cable. There’s also a 3.5mm-6.35mm jack adapter for mating with phone-plug-toting home hi-fi stuffs, and a new USB-C DAC/AMP dongle, so you plug into smarter, non-jack-plug-toting stuffs (i.e.: your phone, tablet or analog-challenged new computer).

• Features score: 4.5/5

Meze Audio 99 Classics 2nd Gen review: Sound quality

• Phenomenal low end; butter-smooth highs
• Balancing act of volume, soundstage and saturation
• Excellent passive sound isolation

Meze knows exactly what it’s doing with the low end in the 99 Classics 2nd Gen, working with the boomy confines of the closed cup to create some seriously controlled wub. Domenique Dumont’s Amants ennemis is a bulging burlap of bass, helped along by the ported earcups in its delivery of blubbering synth-bass and chicken-picky guitars.

Snapped Ankles’ Smart World, too, is an abrasive, dancy delight, with deep thrumming bass, urgent live drumming and Numan-esque clarion-call vocals, the latter of which do a phenomenal job of illustrating the 2nd Gen’s prowess with upper-mid ranges. I’ll take this opportunity to mention USB-C DAC/amp dongle with which the 2nd Gen ships, too – which is transparent enough to my ears that I noticed no appreciable difference in sound when trying these same songs again.

I did start to notice a vague, middish hollowness in these headphones, that threatened to rob guitarry songs like Queens of the Stone Age’s Everybody Knows That You’re Insane, and Foo Fighters’ Good Grief (forgive me, Father, for I think the Foos’ first album is Actually A Bit Underrated Really) of some key propulsive energy.

Fortunately, this lack seems limited to the rocky stuff, and that at the lower-volume end of listening. The same can also be said of the somewhat-narrow soundstage these headphones possess, which can feel corridor-like in the face of usually-quite-expansive tracks like Amant ennemis. The solution to both is simply to have a little less fear, and whack them up a bit more. Unfortunately, doing this sometimes crowds the soundstage, and can even result in a little distortion thanks to the low impedance of the drivers. It’s a balancing act.

That balancing act, along with the scooped mids, seem a little less obvious when moving over to vinyl, which, as a source, seems a little smoother on the way in. My copy of Alabaster DePlume’s GOLD is an undisputed delight – any sense of ‘lack’ gone altogether, replaced with fulfillingly dense wellsprings of bassy voices, plucked double-basses, throaty saxophones and more besides.

A Gente Acaba (Vento Em Rosa) soars in profound and fulsome brilliance; The World Is Mine is a Nick-Cave-y, almost Tom-Waits-y exploration of staccato instrumentation and monotone spoken word, syncopated snare rimshots. Turning things up, I encountered some unfortunate oversaturation of voices in The Sound of My Feet on This Earth…, a sad reminder of the balancing act in play.

Generally, the 99 Classics 2nd Gen respond well to vinyl records – even the rocky stuff, to an extent. Land of Talk’s Applause Cheer Boo Hiss is a brighter record than anything QOTSA have made, and scrappy to boot, but still a thrilling joy in these headphones. This is a function of some sharp transients, smooth tissy high end and that excellent vocal-forward representation.

I usually focus on the performance of the audio thingies I review from a technical perspective. Sometimes, though, there’s an experiential aspect that muscles its way in. Here, it’s the headbands, which – fetchingly minimal as they are – are quite resonant by nature. Their tuning-fork tendencies mean the slightest of bumps, rubs, taps, or head-nods can set them off. The ringing can even be triggered by light handling of the wires close to where they connect with your earcups.

Thankfully, this ringing doesn’t usually interfere with your listening, provided you’re listening at a moderate volume; still, major moves or cable-rubbings in motion can bring some unwanted “plunk” into your private wig-out sesh.

To make something of a ‘compliment cracker’ out of my experiential experience, so to speak, I will say that the passive isolation provided by the 2nd Gens is outstanding; even if sound isn’t outright canceled, the sound mitigation and separation on display here are massive. When something’s playing even slightly cranked, it’s easy to forget where you are.

• Sound quality score: 4/5

Meze Audio 99 Classics 2nd Gen review: Design

• Beautiful walnut earcups
• Pleasingly minimal design
• And everything’s replaceable!

The first-edition Meze Audio 99 Classics were an unusually stunning prospect at launch: a gleaming lighthouse of wood and brass in an unforgiving ocean of bleak gunmetal and bleaker lightweight plastics. When a pair of decently affordable, excellent-sounding over-ears wear walnut earcups with the fullest sincerity, you know you’re looking at something special.

Thankfully, the 2nd Gen 99 Classics have done little to mess with this magic 10 years on. Instead, there’s technically even more of it. The bigger earcup designs, engineered for better low-end control, also mean a greater surface area of delicious (and unavoidably unique) walnut on the exterior, against which the electroplated zinc hardware is set off wonderfully.

As far as comfort goes, though, I have no notes. The self-adjusting headband is a delight here just as it is on Meze's 105 AER, with the newly capacious ear cushions an excellent fit for most ears. Wearing these is like receiving a lightly firm hug, and one you’re happy to receive for hours at a time.

With respect to setting up and using the 99 Classics 2nd Gens, the TS connection points on each earcup are firm enough that I nearly started second-guessing the amount of pressure I was applying to the connectors, before that reassuring ‘click’ told me everything was going to be ok. That is to say, the wired connection is firm enough you’ll never need worry about accidental yankage. The 99 Classics Gen 2 have got you. They’ve got you. It’s alright now. Shhhh, it’s ok.

To revisit my aforementioned experiential gripe, the needlessly ringy headband is a real shame, and something Meze did have an opportunity to fix here. The solution for the user – not banging your head against anything, where possible – is a simple one, but a little inconvenient for, even inconsistent with, out-and-about wear. Especially when the solution for Meze – put some kind of dampener on each band – is even simpler.

More widely with respect to design, though, and to its great credit, Meze’s done something rare – at least, rare in that ocean of bleak gunmetal and bleaker lightweight plastics. The 99 Classics 2nd Gen’s construction is such that parts are easily replaceable, allowing you to keep your headphones keen for as long as you are keen to keep them.

• Design score: 4.5/5

Meze Audio 99 Classics 2nd Gen review: Value

• Great value for great design...
• …though a shame about the resonant headband
• A truly versatile step-up set of listening headphones

So, should you get them? My vote: yes. Despite being closer to the budget end of the price spectrum, the 99 Classics 2nd Gen’s $349 / £319 / AU$649 is a fair bit to put away for headphones. But it gets you some of the most versatile wired headphones on the market.

This is because a great deal of versatile wired headphones end up compromizing quite significantly on something related to build quality, sound fidelity or comfort – and, to my mind, the Meze 99 Classics 2nd Gen don’t really compromize all that much on any of these.

There are arguments to be made against that low impedance, and the resulting distortion you can experience when listening at particularly loud volumes, but they’re small against the 2nd Gen’s supreme on-ear comfort, incredible low-end control and general genre versatility. Added versatility from the nicely included USB-C dongle is highly welcomed, as is the better-than-average case design.

Whether all this literally adds up to a good deal for you is something only you can decide. But altogether, and off the back of both the incredible design and design journey made by the 99 Classics, it’s fair to say these are intrinsically worthwhile cans.

• Value score: 4.5/5

Should I buy the Meze Audio 99 Classics 2nd Gen?

Buy them if...

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Meze Audio 99 Classics 2nd Gen review: Also consider

How I tested the Meze Audio 99 Classics 2nd Gen

• Tested for 3 weeks
• Used as listening headphones at home
• Predominantly tested on streaming and digital files, heard through a Universal Audio Volt 4 audio interface and a HP laptop’s USB-C port; also tested with vinyl records through a Vestax mixer

Three glorious weeks were spent putting the Meze Audio 99 Classics Gen 2 through their paces at home, as a primary set of listening headphones for work and leisure.

They spent most of their time in my attic office, delivering audio from Spotify and my digital music library via a Universal Audio Volt 4 audio interface. I gave a little time to listening through the provided USB-C DAC/amp. too, using my laptop’s USB-C port.

Lastly and for a little while, I used them on my living room vinyl setup as well – listening through an old-school Vestax PCV-275 turntable mixer.

• First reviewed: December 2025
• Read more about how we test