Image via NetflixPublished Mar 20, 2026, 5:00 PM EDT
Kelcie Mattson is a Senior Features author at Collider. Based in the Midwest, she also contributes Lists, reviews, and television recaps. A lifelong fan of niche sci-fi, epic fantasy, Final Girl horror, elaborate action, and witty detective fiction, becoming a pop culture devotee was inevitable once the Disney Renaissance, Turner Classic Movies, BBC period dramas, and her local library piqued her imagination.
Rarely seen without a book in one hand and a cup of coffee in the other, Kelcie explores media history (especially older, foreign, and independent films) as much as possible. In her spare time, she enjoys RPG video games, amateur photography, nerding out over music, and attending fan conventions with her Trekkie family.
After decades spent refining their craft, the Scandinavian countries have earned their right to be synonymous with cinematically sleek and bleakly frigid crime thrillers. Both their global reputation and their greatest successes stem from more than merely mastering the baseline "Nordic Noir" aesthetics, however — it's the skillful, cohesive weaving of moody atmospheric textures with psychological cadences, sophisticated class tensions, kinetic suspense, and twists breathtaking enough to startle even the most expert genre viewer.
Jo Nesbø’s Detective Hole, the latest offering in Netflix's Nordic drama slate, hails from an international literary bestseller who, to put it mildly, knows his way around the fictional whodunit world. For almost three decades and counting, Norwegian author Jo Nesbø has been credited as one of neo-noir's leading voices. Jo Nesbø’s Detective Hole isn't the first swing someone's taken at translating his longest-running antihero, brooding detective Harry Hole, to the screen — that would be The Snowman, a somewhat infamous flop (and meme-generator) starring Michael Fassbender and Rebecca Ferguson. Unlike Hollywood's 2017 misstep, however, Nesbø both spearheads and writes this adaptation of his fifth Hole novel, The Devil's Star. Essentially, it's an author's dream scenario. Those proper conditions pay off tenfold, tackling genre beats with confident aplomb and revitalizing the familiar rather than emptily retreading overdone ground.
What Is 'Jo Nesbø's Detective Hole' About?
Halfway through the series' nine-episode run, a woman provides Harry Hole (Tobias Santelmann) and all his assorted baggage with a wryly amused assessment: "You’re a giant cliché." Harry's too self-aware to disagree. He's the kind of detective who hangs onto an escaping car with one arm — an introvert with a nimble mind for forensic details, poor time management, even worse people skills, and an addiction to various toxic substances. To Harry's credit, he's actively taking accountability to improve his self-destructive habits (obsessiveness, self-loathing, trauma-induced commitment issues) through therapy and sobriety. Otherwise, he knows he'll ruin his promising romance with Rakel Fauke (Pia Tjelta) and live out his remaining years wallowing in isolated misery.
As armed criminal gangs stir unrest within Oslo's unsettled civilian population and a personal tragedy shatters Harry's fragile mental health to its core, another grievous development emerges — a potential serial killer, something rare for Norway and therefore commanding an all-hands-on-deck approach. What's more, the elaborately perplexing murder tableaux and the pentagram-shaped gemstones placed upon each victim's corpse suggest an occult tie. Harry's limited options, combined with his indefatigable pursuit of justice, force him to work alongside Tom Waaler (Joel Kinnaman), the too-good-to-be-true colleague he despises above all others.
'Jo Nesbø's Detective Hole’s Minor Flaws Don't Overwhelm Its Atmospheric, Storytelling, and Casting Strengths
Jo Nesbø's Detective Hole was shot on location on an unprecedented scale, and the behind-the-camera team renders the city's nuances to great effect. True to the noir "city as a character" form, directors Øystein Karlsen and Anna Zackrisson and cinematographer Ronald Plante suffuse Oslo with a tactile, lived-in sense of place that simultaneously evokes Harry's brittle psyche and enriches the series' prevailing ethical dilemmas. Far from cold or sterile, the glittering nighttime lights, the summer sun blazing above public pools, and the seedier urban corners parallel wear-and-tear grit with industrialized comfort. And in an era where needle drops often work overtime to replace an emotionally lackluster canvas, the show's expansive catalog of earwormable rock hits (The Ramones, The Moody Blues, Iggy Pop, PJ Harvey, Soap&Skin, and more, plus an original score composed by Nick Cave and Warren Ellis) conjures a distressing aura as much as Oslo's setting.
The cast is another thoroughly memorable shining light for the series. Harry plays into the archetype he arguably helped define, yet despite his persona as a hard-boiled, rule-breaking, and severely depressed cynic, Santelmann taps into a charmingly genuine, sensitive, and gentle rawness. Harry is a tortured mess, no doubt, but the moments his better angels break through his dour surface prevent him from falling into the tiresome stereotype we all know: the gifted investigator whose unique genius warrants his aggressively masculine boundary-crossing. Tom Waaler, a rancid cop sewing organized chaos underneath the guise of polished professionalism, is another paradigm with renewed life aplenty. Quietly sinister and profoundly unsettling, Kinnaman locates the vulnerable motivations in an abhorrent man whose sins are beyond redemption; it's a phenomenal showcase that traces back to the Swedish-born actor's career roots.
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Ellen Helinder's forensic examiner Beate Lønn and Tjelta's Rakel materialize as equal highlights. Competent women within a male-dominated field, they're undeniably more level-headed compared to Harry and Tom's respective torments, yet they're no less compellingly staged nor richly performed. They're also necessary leveling presences for a plot where women and other underserved communities populate the majority of the murder victims. Jo Nesbø's Detective Hole doesn't sexualize the corpse displays nor linger on the heinously brutal acts, but considering the overwrought exploitation that's come before in the genre, the series' grim effectiveness may come at a flinch-worthy cost for certain viewer demographics.
Nine episodes lean toward the longer side of streaming offerings these days, yet Jo Nesbø's Detective Hole (provided for review in its entirety) wisely utilizes its generous time. Equal parts psychological character study and plot-driven brain-twister, the show largely maintains its momentum throughout; bursts of graphic violence and meditative investigations interrupt the pervasive coiling tendrils of dread, before speeding into propulsive overdrive once hero and villain find the walls closing in around them. A roundhouse-kick of a thrill ride that lives up to the promises baked into the thriller subgenre's name, Jo Nesbø's Detective Hole delivers virtually everywhere it should — which is nothing less than what a modern legend deserves.
Release Date March 26, 2026
Network Netflix
Directors Øystein Karlsen
Writers Jo Nesbø
Cast
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Tobias Santelmann
Det. Harry Hole
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Pros & Cons
- The show's nine episodes fly by with the right mixture of moody contemplation and propulsive momentum.
- The cast's performances are exemplary, especially leading men Tobias Santelmann and Joel Kinnaman.
- The Oslo-set production value creates a heightened but realistic sense of place.
- The series respects the interior lives of its supporting women characters.
- While not exploitative, it's still unfortunate that underserved communities make up the majority of the murder victims.









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