Jessica Chastain’s Horror Movie Officially Removed From 500 Theaters as It Nears $100 Million

2 days ago 17
Jessica Chastain smiling with a tear trickling from her eye in 'Other Mommy' Universal Pictures /Courtesy Everett Collection

Published Oct 27, 2026, 12:15 PM EDT

Rohan Naahar is a News Writer for Collider. From Francois Ozon to David Fincher, he'll watch anything once.

He has covered everything from Marvel to the Oscars, and Marvel at the Oscars. He also writes obsessively about the box office, charting the many hits and misses that are released weekly, and how their commercial performance shapes public perception. In his time at Collider, he has also helped drive diversity by writing stories about the multiple Indian film industries, with a goal of introducing audiences to a whole new world of cinema. 

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After two full weeks of release, a poorly received horror movie starring Jessica Chastain looks set to pass the coveted $100 million mark at the global box office. The movie delivered a stellar opening weekend haul, despite being roundly panned by critics. This past weekend, it hit what could be its final major domestic box-office milestone, after being removed from 500 theaters and facing fresh competition from DC's Clayface. Chastain has a solid track record in the horror genre, having starred in films such as Mama and It: Chapter Two. Her new movie hasn't turned out to be quite as successful as those films, but will likely find a larger audience when it hits the PVOD market.

Directed by Rob Savage, the film retained a top-10 spot this past weekend, while Clayface debuted at number one with $24 million. Incidentally, Chastain's movie opened to $27 million, even though it doesn't have a massive franchise to rely on and has attracted vicious reviews. Savage broke out with the pandemic-era hits Host and Dashcam, and made his Hollywood debut with The Boogeyman, which grossed more than $80 million worldwide. His new film has overtaken The Boogeyman in under three weeks of release, but will probably struggle to match the $148 million lifetime haul of Chastain's Mama, which was released in 2013.

Collider Exclusive · Horror Survival Quiz Which Horror Villain Do You Have the Best Chance of Surviving? Jason Voorhees · Michael Myers · Freddy Krueger · Pennywise · Chucky

Five killers. Five completely different ways to die — if you're not smart enough, fast enough, or self-aware enough to avoid it. Only one of them is the villain your particular set of instincts gives you a fighting chance against. Eight questions will figure out which one.

🏕️Jason

🔪Michael

💤Freddy

🎈Pennywise

🪆Chucky

TEST YOUR SURVIVAL →

01

Something feels wrong. You can't explain it — you just know. What do you do? First instincts are the difference between the survivor and the first act casualty.

ALeave immediately. I don't need to understand a threat to respect it. BStay quiet and observe. If I can see it, I can understand it. If I can understand it, I can avoid it. CStay awake. Whatever this is, I am not going to sleep until I feel safe again. DConfront it directly. Fear grows in the dark — I'd rather know what I'm dealing with. ECheck everything, trust nothing. The threat might be closer than I think — and smaller.

NEXT QUESTION →

02

Where are you most likely to find yourself when things go wrong? Setting is everything in horror. Where you are determines which rules apply.

ASomewhere remote — a cabin, a campsite, off the grid and away from people. BA quiet suburban neighbourhood where nothing ever happens. Except tonight. CIn my own head — the most dangerous place of all, depending on what's already in there. DWherever children are — because something about this place attracts the worst things. ESomewhere ordinary — a house, a toy store, a place where the last thing you'd expect is a threat.

NEXT QUESTION →

03

What is your most reliable survival asset? Every survivor has a quality the villain didn't account for. What's yours?

APhysical fitness — I can run, I can swim, I can outlast something that relies on brute persistence. BSpatial awareness — I always know the exits, the hiding spots, the fastest route out. CPsychological resilience — I've faced my worst fears before. They don't have the same power over me. DEmotional steadiness — I don't panic. Panic is what gets you caught. EScepticism — I don't underestimate threats because of how they look. Size is irrelevant.

NEXT QUESTION →

04

What kind of fear is hardest for you to fight through? Knowing your weakness is the first step to not dying because of it.

AThe unstoppable — something that will not stop, cannot be reasoned with, and is always getting closer. BThe invisible — a threat I can feel but can't locate, watching from somewhere I can't see. CThe psychological — something that uses my own mind and memories against me. DThe unknowable — something ancient, shapeless, that feeds on the fear itself. EThe mundane — a threat so ordinary-looking that no one will believe me until it's too late.

NEXT QUESTION →

05

You're with a group when things start going wrong. What's your role? Horror movies are brutally clear about who survives group situations and who doesn't.

AThe one who says "we need to leave" first — and means it, even when no one listens. BThe one who stays quiet, watches the others, and figures out the pattern before anyone else does. CThe one who holds the group together when panic sets in — because someone has to. DThe one who asks the questions nobody wants to ask — because ignoring them gets people killed. EThe one who takes the threat seriously when everyone else is laughing it off.

NEXT QUESTION →

06

What's the horror movie mistake you're most likely to make? Honest self-assessment is a survival skill. Denial is not.

AGoing back for someone — I know I shouldn't, but I can't leave them behind. BAssuming I'm safe once I've found a hiding spot. That's when it finds me. CFalling asleep when I absolutely cannot afford to. Exhaustion is its own enemy. DLetting my curiosity override my instincts — I always need to understand what I'm dealing with. EDismissing the threat because of how it looks. That's exactly what it wants.

NEXT QUESTION →

07

What's your best weapon against something that can't be stopped by conventional means? Every horror villain has a weakness. The survivors are always the ones who find it.

AThe environment itself — I use the terrain, the water, the geography against it. BPatience — I wait, I watch, and I strike at the one moment it doesn't expect. CLucidity — if I can stay in control of my own mind, it loses its primary weapon. DCourage — facing it directly, refusing to run, taking away the fear it feeds on. EImprovisation — I use whatever's at hand, however unconventional. Creativity over brute force.

NEXT QUESTION →

08

It's the final scene. You're the last one standing. How did you make it? The final survivor always has a reason. What's yours?

AI kept moving. I never stopped, never hid for too long, never let it corner me. BI figured out the pattern before anyone else did — and I used it against the thing following it. CI stayed awake, stayed lucid, and refused to give it the one thing it needed most. DI stopped being afraid of it. And the moment I did, everything changed. EI took it seriously from the start — and I never once made the mistake of underestimating it.

REVEAL MY VILLAIN →

Your Survival Odds Have Been Calculated Your Best Chance Is Against…

Your instincts, your strengths, and your particular way of thinking under pressure point to one villain you actually have a fighting chance against. Everyone else — good luck.

Jason Voorhees

Jason is relentless, but he is also predictable — and that is the gap you would exploit.

  • He moves in straight lines toward his target. He doesn't strategise, doesn't adapt, doesn't outsmart. He simply pursues.
  • Your ability to keep moving, use the environment, and resist the panic that freezes most victims gives you a genuine edge.
  • The Crystal Lake survivors were always the ones who stopped running in circles and started thinking about terrain, water, and distance.
  • You think like that. Which means Jason, for all his indestructibility, would face someone who simply refused to be where he expected.

Michael Myers

Michael watches before he moves. He is patient, methodical, and almost impossible to detect — until it's too late for anyone who isn't paying close enough attention.

  • But you are paying attention. You notice the shape in the window, the car parked slightly wrong, the silence where there should be sound.
  • Michael's power lies in the invisibility of ordinary suburbia — the fact that nothing ever looks wrong until it already is.
  • Your spatial awareness and instinct to map every room, every exit, and every shadow before you need them is precisely the quality Laurie Strode had.
  • You are not a victim waiting to happen. You are someone who already suspects something is wrong — and acts on it.

Freddy Krueger

Freddy wins by getting inside your head — using your own fears, your own memories, your own subconscious as weapons against you. That strategy requires a target who can be destabilised.

  • You are harder to destabilise than most. You've faced uncomfortable truths about yourself and you haven't looked away.
  • The survivors on Elm Street were always the ones who understood what was happening and chose to face it rather than flee from it.
  • Freddy's greatest weakness is that his power evaporates in the presence of someone who refuses to give him the fear he feeds on.
  • Your psychological resilience — the ability to stay grounded when reality itself becomes unreliable — is exactly the quality that keeps you alive here.

Pennywise

Pennywise is ancient, shapeshifting, and feeds on terror — but it has one critical vulnerability: it cannot function against someone who genuinely stops being afraid of it.

  • The Losers Club didn't survive because they were braver than everyone else. They survived because they faced their fears together, and faced them honestly.
  • You ask the questions others avoid. You look directly at what frightens you rather than turning away.
  • That directness — the refusal to let fear fester in the dark — is Pennywise's worst nightmare.
  • It chose the wrong target when it chose you. You are exactly the kind of person whose fear tastes like nothing at all.

Chucky

Chucky's greatest advantage is that nobody takes him seriously until it's already too late. He exploits the gap between how something looks and what it actually is.

  • You don't have that gap. You take threats seriously regardless of how they present — and you never make the mistake of underestimating something because of its size or appearance.
  • Chucky relies on surprise, on the delay between recognition and response. You close that delay faster than almost anyone.
  • Your instinct to treat every unfamiliar thing with appropriate scepticism — rather than dismissing it because it seems absurd — is the exact quality that keeps you breathing.
  • Against Chucky, not laughing is already winning. You are very good at not laughing.

↻ RETAKE THE QUIZ

Here's How Much the Movie Has Grossed at the Box Office So Far

We're talking, of course, about Other Mommy. Produced on a reported budget of less than $20 million, the film has grossed $50 million domestically and $95 million worldwide. On the overall 2026 box-office chart, the film has out-grossed fellow horror releases such as Evil Dead Burn, Lee Cronin's The Mummy, and Send Help. It holds a 20% score on the aggregator website Rotten Tomatoes, where the consensus reads, "Despite a valiant turn from Jessica Chastain as the spectral embodiment of a smothering parent, Other Mommy proves too silly for its intermittently effective jump scares to add up to a spooky whole." In its third weekend, Other Mommy's domestic theater count was reduced from around 3,300 to around 2,800.

Stay tuned to Collider for more updates.

other-mommy-poster.jpg

Release Date October 9, 2026

Runtime 93 Minutes

Director Rob Savage

Cast

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  • Cast Placeholder Image

    Arabella Olivia Clark

    Bela

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    Hayley Spelman

    Other Mommy

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    Carrie Dimaculangan

    Callie

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