8 Perfect Miniseries That No One Remembers Today

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A miniseries is a perfect kind of viewing: you can binge-watch it within a day, and you don't have to wait for another season after the first one ends on a cliffhanger. It's a standalone story that satisfies the craving for a long watch, but finding the perfect show for the entire group is the most challenging part.

If you're not interested in watching some of the well-known and raved-about miniseries but would rather dive into something a little more obscure but still good quality, here are the stellar miniseries that are 10/10, but no one remembers today. For fans of some long-forgotten and buried content, this list could help extend your watchlist.

'The Escape Artist' (2013)

Toby Kebbell trying to shake David Tennant's hand in a courthouse in The Escape Artist Image via BBC One

It's rare for David Tennant to pick a bad show, and The Escape Artist is just one more proof of that. This three-part BBC miniseries is a perfect crime thriller gem that stars Tennant as a tenacious, vulnerable defense attorney and Toby Kebbell as a vicious, chilling villain. With only three episodes, it seems overly short, but each episode is presented as a different genre, keeping viewers glued to the screen; it runs like a longer feature film, combining everything from thriller and horror to character drama and tragedy.

The Escape Artist follows Will Burton (Tennant), a brilliant barrister who specializes in defending the accused and has never lost a case. However, after he successfully acquits a charismatic sociopath named Liam Foyle (Kebbell), Foyle becomes obsessed with him, launching a psychological terror campaign against Burton's family, culminating in a second murder trial—this time with Burton as the accused. The show is a suspenseful legal thriller that was potentially forgotten because of a fairly generic title but is definitely worth a watch—a forgotten classic that deserves to be rediscovered.

'The Good Lord Bird' (2020)

Ethan Hawke in The Good Lord Bird  Image via Showtime

The Good Lord Bird is one of Showtime's most brilliant and overlooked series; in fact, many people have probably never heard of it until now. Fans of Westerns and/or Ethan Hawke will have the time of their life with this seven-episode series based on history, and its 98% critic score on Rotten Tomatoes further proves the show's worth. Even if you're not too keen on Hawke, this show will make you a fan; he delivers a career-best performance in a series he also created and produced. The Good Lord Bird doesn't fall into the trap of being a dry history lesson, rather embracing a mischievous, quirky, and strange energy that makes a 19th-century story feel urgent and alive.

The Good Lord Bird is told from the point of view of Henry "Onion" Shackleford (Joshua Caleb Johnson), a fictional enslaved boy and follows him meeting the radical abolitionist John Brown (Hawke) in the years leading up to the American Civil War. After a chance encounter, Onion is swept into Brown's eccentric and violent crusade against slavery, from the "Bleeding Kansas" conflict to Brown's legendary attack on the federal armory at Harpers Ferry. The Good Lord Bird was released at the height of the COVID-19 pandemic and suffered from a lack of publicity, preventing it from becoming the lockdown hit it deserved to be. The series was largely overlooked and faded from the cultural conversation, but its rave reviews are justified and make watching it worthwhile.

'Show Me a Hero' (2015)

Oscar Isaac facing someone with one hand raised in a courtroom in HBO's Show Me A Hero. Image via HBO

If you like The Wire or anything that David Simon created, you'll love the HBO miniseries Show Me a Hero with Oscar Isaac in the lead. It feels like a masterclass of socially conscious storytelling, and it was based on a true story about the youngest mayor ever elected in New York. Isaac delivers a layered performance as the troubled mayor, bringing to life a story about a big moment in American history that's rarely been heard of before this miniseries. Show Me a Hero is an empathetic and frustrating portrait of a system in crisis, and it has a 96% rating on Rotten Tomatoes.

Show Me a Hero is a six-episode miniseries about Nick Wasicsko (Isaac), the youngest mayor elected in Yonkers, New York, in 1987. When a federal judge orders the predominantly white, middle-class city to construct 200 units of public housing on its east side as a desegregation measure, it ignites a political firestorm. Despite Wasicsko being elected on a platform that opposed the plan, he finds himself supporting it and struggles to balance his relationships with politicians and the public. Despite being an HBO production with a major star and a cult creator, Show Me a Hero is vastly underrated. Aside from Isaac, the incredible ensemble cast includes Alfred Molina, Catherine Keener, Winona Ryder, and Jon Bernthal.

'Catch-22' (2019)

Joseph Heller's seminal novel Catch-22 may have felt impossible to put to the screen until Hulu created a miniseries based on it. The iconic characters of John Yossarian, Milo Minderbinder, and Doc Daneeka were brought to life in this darkly comical and visually stunning masterpiece; unlike the 1970 feature film starring Alan Arkin, the series does a better job of encapsulating some of Yossarian's most important moments, including the feeling of being stuck in the "catch-22" situation. Nothing can fully depict how it feels to read Heller's novel, but this series complements it beautifully.

Catch-22 has six episodes that follow Capt. John Yossarian (Christopher Abbott), a WWII US Air Force bombardier who doesn't want to be a part of the war at all. He is trapped by the infamous "catch-22": a soldier can be grounded for insanity, but asking to be grounded for insanity proves he's sane enough to understand his mental health, so he has to keep flying. As his missions become more dangerous and the bureaucracy more absurd, Yossarian must find a way to survive in his increasingly maddening surroundings. The cast is stacked with stars, including George Clooney, who executive produced the series; critics praised it for being an "almost perfect series," capturing both the humor and the tragedy of Catch-22. For unknown reasons, the show remains swimming in a sea of underrated series, but fish it out and give it a try—you'll love it.

Collider Exclusive · Taylor Sheridan Universe Quiz Which Taylor Sheridan
Show Do You Belong In?
Yellowstone · Landman · Tulsa King · Mayor of Kingstown

Four worlds. All of them brutal, complicated, and built on power, loyalty, and the price of survival. Taylor Sheridan doesn't write heroes — he writes people who do what they have to do and live with the cost. Ten questions will reveal which one of his worlds you were made for.

🤠Yellowstone

🛢️Landman

👑Tulsa King

⚖️Mayor of Kingstown

FIND YOUR WORLD →

01

Where does your power come from? In Sheridan's world, everyone has leverage. The question is what kind.

ALand, legacy, and a name that's been feared and respected for generations. BKnowing the deal better than anyone else in the room — and being willing to walk away first. CReputation. I've earned it the hard way, and everyone in the room knows it. DBeing the only person both sides will talk to. That makes me indispensable — and dangerous.

NEXT QUESTION →

02

Who do you put first, no matter what? Loyalty in Sheridan's universe is always absolute — and always costly.

AFamily — blood or chosen. The ranch, the name, the people who carry it with me. BThe company — or whoever's signing the cheques. Loyalty follows the contract. CMy crew. The men who stood with me when it counted — I don't abandon them for anything. DMy community — even when my community is a powder keg and I'm the only thing stopping it from blowing.

NEXT QUESTION →

03

Someone crosses a line. How do you respond? Every Sheridan protagonist has a line. What matters is what happens after it's crossed.

AQuietly, decisively, and in a way that sends a message to everyone watching. BI outmanoeuvre them legally, financially, and politically before they even know I've moved. CDirectly. Old school. You cross me, you hear about it to your face — and then you deal with the consequences. DI absorb it, calculate the fallout, and find the move that keeps the whole system from collapsing.

NEXT QUESTION →

04

Where do you feel most in your element? Sheridan's worlds are as much about place as they are about people.

AWide open land — mountains, sky, silence. Somewhere you can see trouble coming from a mile away. BThe oil fields of West Texas — brutal, lucrative, and indifferent to whoever happens to be standing on top of them. CA mid-size city where the rules haven't quite caught up yet — fertile ground for someone with vision and nerve. DA rust-belt town built around a prison — where everyone's life is shaped by what's inside those walls.

NEXT QUESTION →

05

How do you feel about operating in the grey? Nobody in a Sheridan show has clean hands. The question is how they carry the dirt.

AI do what has to be done to protect what's mine. I'll answer for it eventually — but not today. BGrey is just business. The line moves depending on what's at stake, and I move with it. CI have a code — it's not the law's code, but it's mine, and I don't break it. DI've made peace with it. Keeping the peace requires compromises most people don't have the stomach for.

NEXT QUESTION →

06

What are you actually fighting to hold onto? Every Sheridan character is fighting a war. The real question is what they're defending.

AA way of life that the modern world is doing everything it can to erase. BMy position — and the leverage that comes with being the person everyone needs to close a deal. CRelevance. I've been away, I've been written off — and I'm proving that was a mistake. DWhatever fragile order I've managed to build — because without it, everything burns.

NEXT QUESTION →

07

How do you lead? Authority in Sheridan's world is never given — it's established, maintained, and constantly tested.

ABy example and force of will. People follow me because they believe in what I'm protecting — and because they know what happens if they don't. BThrough negotiation and leverage. I don't need people to like me — I need them to need me. CBy being the smartest, most experienced person in the room and making sure everyone quietly knows it. DBy being the calm centre of a situation that would spiral without me — and accepting that nobody thanks you for it.

NEXT QUESTION →

08

Someone new arrives and tries to change how things work. Your reaction? Every Sheridan show has an outsider disrupting an established order. Sometimes that outsider is you.

AThey'll learn. Or they won't. Either way, the land was here before them and it'll be here after. BI figure out what they want, what they're worth, and whether they're an asset or a problem — fast. CI was the outsider once. I give them a chance — one — to show they understand respect. DNew players destabilise everything I've built. I assess the threat and manage it before it manages me.

NEXT QUESTION →

09

What has your position cost you? Nobody gets to where these characters are without paying for it. The bill is always personal.

AMy family's peace — maybe their innocence. The ranch demands everything, and I've let it take too much. BRelationships, time, any version of a normal life. The job eats everything that isn't nailed down. CYears. Decades in some cases. Time I can't get back — but I'm not done yet. DMy conscience, mostly. And the ability to ever fully trust anyone on either side of the wall.

NEXT QUESTION →

10

When it's over, what do you want people to say? Sheridan's characters all know the ending is coming. The question is what they leave behind.

AThat I held the line. That the land is still ours and everything I did was worth it. BThat I was the best at what I did and that no deal ever got closed without me at the table. CThat I built something real, somewhere nobody expected it, and I did it on my own terms. DThat I kept the peace when nobody else could — and that the town is still standing because of it.

REVEAL MY SHOW →

Sheridan Has Spoken You Belong In…

The show that claimed the most of your answers is the world you were built for. If two tied, both are shown — you're complicated enough to straddle two Sheridan universes.

🤠 Yellowstone

🛢️ Landman

👑 Tulsa King

⚖️ Mayor of Kingstown

You are a Dutton — or you might as well be. You understand that some things are worth protecting at any cost, and that the modern world's indifference to history, to land, to legacy, is not something you're willing to accept quietly. You lead from the front, you carry your family's weight without complaint, and when someone threatens what's yours, you don't escalate — you finish it. You're not cruel. But you are absolute. In Yellowstone's world, that combination of ferocity and loyalty doesn't make you a villain. It makes you the only thing standing between everything that matters and everyone who wants to take it.

You thrive in the chaos of high-stakes negotiation, where the money is enormous, the margins are thin, and the wrong word in the wrong room can cost everyone everything. You're a fixer — the person called when a situation is already on fire and needs someone with the nerve to walk into it. West Texas oil country rewards exactly what you are: sharp, adaptable, unsentimental, and absolutely clear-eyed about what people want and what they'll do to get it. You're not naive enough to think this world is fair. You're smart enough to be the one deciding who it's fair to.

You are a Dwight Manfredi — someone who has served their time, paid their dues, and arrived somewhere unexpected with nothing but their reputation and their wits. You adapt without losing yourself. You build loyalty through respect rather than fear, though you're not above reminding people that the two aren't mutually exclusive. Tulsa King is for people who are still standing when everyone assumed they'd be finished — who find, in an unfamiliar place, that they're more capable than the world gave them credit for. You don't need a throne. You build one, wherever you happen to land.

You carry the weight of a system that is broken by design, and you do it anyway — because someone has to, and because you're the only one positioned to do it without the whole thing collapsing. Mike McLusky's world is for people who are comfortable operating where there are no good options, only less catastrophic ones. You speak every language: law enforcement, criminal, political, human. That fluency makes you invaluable and it makes you a target. You've made your peace with both. Mayor of Kingstown belongs to people who understand that keeping the peace is not the same as being at peace — and who do the job regardless.

↻ RETAKE THE QUIZ

'The Honourable Woman' (2014)

Maggie Gyllenhaal as Nessa Stein in The Honourable Woman Image via BBC Two

Those who've seen The Honourable Woman with Maggie Gyllenhaal probably remember it in a fairly fresh and positive light—it was made during a decade defined by intense political series, and it feels just as relevant some twelve years later. Written and directed entirely by Hugo Blick, The Honourable Woman is a dense slow burn that captivates the attention easily. Blick, in an interview for the BBC said, "To a backdrop of the seemingly irreconcilable, this is a story about personal reconciliation," adding that he is "certainly not offering any actual, specific answers to such a complex and emotionally provocative issue." Using the Israeli-Palestinian conflict as a backdrop for a story of personal struggle feels like Blick just couldn't win, which may be why the show was sent to the back of the TV schedule after airing.

The Honourable Woman follows Nessa Stein (Gyllenhaal), the daughter of a murdered Jewish arms dealer who has reinvented her father's company into a telecommunications empire dedicated to connecting Israel and Palestine. As she navigates the sensitive politics of the Middle East, she is kidnapped, and in the aftermath unravels a conspiracy involving several intelligence agencies and her own family's dark secrets. The story jumps between present-day negotiations and flashbacks to her childhood and the kidnapping, slowly revealing what really happened. Gyllenhaal won a Golden Globe for this performance, and critics called the show "most satisfying" and "intricate."

'Bodies' (2023)

Stephen Graham in Bodies Image via Netflix

Bodies is one of Netflix's most ingenious sci-fi thrillers, but it went as quietly as it came. Based on a graphic novel by Si Spencer, Bodies is a masterclass in complex storytelling. It depicts different timelines with a distinct tone and aesthetic, yet they all feel cohesive and connected to follow the story's unusual thread. The show respects its audience's intelligence, rewarding close attention with dozens of "aha" moments. The cast is uniformly excellent, with Stephen Graham delivering a chilling performance (as always). Bodies is the kind of miniseries that demands an immediate rewatch.

Bodies follows four detectives in four different time periods—1890, 1941, 2023, and 2053—as they discover the same dead body on Whitechapel Street. As they investigate, they discover a centuries-long conspiracy that connects them to each other. They can't see how and why they are connected, but going toward the solution turns out to also mean preventing a dystopian future. Bodies never really cracked the top 10 for longer than a week, but word of mouth still keeps it on the top for dedicated mystery fans. Interestingly, the four detectives seem to represent four different genres: Victorian Gothic, wartime noir, modern police procedural, and sci-fi thriller, giving the series a very interesting shift from episode to episode.

'The Lost Room' (2006)

Elle Fanning and Peter Krause in the SYFY miniseries 'The Lost Room' (2006) Image via SYFY

The Lost Room is a cult phenomenon that never went beyond its few episodes, despite devoted fans begging for a revival for so many years later. The Lost Room has exceptional world-building that focuses on things called Objects, which all have a specific, consistent power. The show's creator, Christopher Leone, co-created the show with the idea of everyday objects possessing supernatural powers, and reviewer David Yates interestingly connects its lore with the origins of creepypasta in his review of the show.

The Lost Room follows detective Joe Miller (Peter Krause), whose young daughter disappears while he's investigating a mystery. He discovers that Room 10 of the Sunshine Motel exists outside normal space and time and that the room's ordinary objects possess impossible powers. Joe must find a way to get his daughter back before a secret society of collectors, who hunt these everyday objects, find him and stop him. The Lost Room is a SyFy original, and while it's rarely available to watch today, it remains a word-of-mouth sci-fi legend that deserves another chance 20 years later.

'ZeroZeroZero' (2019–2020)

Andrea Riseborough as Emma Lynwood in 'ZeroZeroZero' Image via Prime Video

ZeroZeroZero was based on Roberto Saviano's nonfiction book, the same author whose novel inspired the critically acclaimed series Gomorrah. It's an operatic, globe-spanning masterpiece with a 94% critics' rating on Rotten Tomatoes, with the consensus calling it "an addictive thriller whose greatest weakness is that it is at times too withholding." The series was shot in five countries across the globe and stars Gabriel Byrne, Andrea Riseborough, and Dane DeHaan as the Lynwood family; they give brilliant, career-best performances, together with a sprawling international cast. ZeroZeroZero is a nihilistic, stunningly shot crime epic that will stick with you long after watching it.

ZeroZeroZero opens with the leader of the Calabrian mafia ordering a single massive shipment of cocaine—5,000 kilos of the purest grade (000). The series follows this cargo as it travels across three continents and three overlapping perspectives: the corrupt Mexican cartel that makes it, the Italian syndicate that distributes it, and the Lynwood family, a fading American shipping dynasty from New Orleans that serves as the deal's broker. As the shipment travels from Monterrey across the Atlantic, the story unfolds in a non-linear fashion, jumping between timelines and continents, forcing viewers to piece together the complete picture through the world's grim, vicious, and devastating underbelly. ZeroZeroZero got lost in the shuffle of the streaming wars, and despite its massive budget and a cast of major stars, it failed to reach mainstream audiences—but it's worth the time.

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ZeroZeroZero

Release Date 2020 - 2020-00-00

Network Sky Atlantic

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    Andrea Riseborough

    Emma Lynwood

  • Cast Placeholder Image

    Giuseppe De Domenico

    Stefano La Piana

  • Cast Placeholder Image

    Harold Torres

    Manuel Contreras

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