10 Greatest '80s Sci-Fi Movies Ever Made

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Published Apr 4, 2026, 9:33 PM EDT

Diego Pineda has been a devout storyteller his whole life. He has self-published a fantasy novel and a book of short stories, and is actively working on publishing his second novel.

A lifelong fan of watching movies and talking about them endlessly, he writes reviews and analyses on his Instagram page dedicated to cinema, and occasionally on his blog. His favorite filmmakers are Andrei Tarkovsky and Charlie Chaplin. He loves modern Mexican cinema and thinks it's tragically underappreciated.

Other interests of Diego's include reading, gaming, roller coasters, writing reviews on his Letterboxd account (username: DPP_reviews), and going down rabbit holes of whatever topic he's interested in at any given point.

Science fiction has always been one of the most popular and prolific genres in all of cinema, and the '80s weren't an exception to the rule. Several of the best sci-fi movies of all time — the best of them perhaps even among the greatest films ever made, period — came out at some point during the '80s, a decade characterized by the rise of escapist high-concept blockbusters.

Whether it was an auteur-driven arthouse movie like Mauvais Sang or a crowd-pleasing blockbuster like Aliens, you could always rely on filmmakers during the '80s to deliver strong sci-fi work. Imaginative, original, and taking full advantage of the technological capabilities afforded by the times, the decade's best sci-fi masterpieces see the genre at its peak.

10 'Mauvais Sang' (1986)

Juliette Binoche and Denis Lavant in 'Mauvais Sang'

Mauvais Sang, which translates to Bad Blood, was the famous French cult auteur Leos Carax's second feature film. It's set in a Paris where a deadly virus has come to infect people who have loveless sex, and in it, a lonely pariah tries to steal a potent antidote but falls for the mistress of his partner-in-crime. It's one of the most underappreciated sci-fi gems of the 20th century as a whole, made when Carax was only 25 years of age.

Like the rest of Carax's divisive work, Mauvais Sang may prove a bit too exotic for some, but its romantic tone, poetic story, and unforgettable visuals make it a must-see for diehard fans of science fiction. Moody, bizarre, and masterfully Godardian (a quality that has defined pretty much all of Carax's filmography), it's a movie that deserves far more love than it typically gets.

9 'Brazil' (1985)

A man with a baby mask near the end of Terry Gilliam's Brazil (1985)

There are plenty of movie masterpieces that feel like being in a nightmare, but few push that feeling to the extent that Brazil does. Directed and co-written by Terry Gilliam of Monty Python fame, this Kafkaesque, absurdist, dystopian dark comedy has been compared to George Orwell's 1984 many times. It's a well-earned comparison.

The movie's sense of satire is brilliant in how it pokes fun at bureaucracy, technocracy, and mass government surveillance, themes that are still as relevant today as they were back in the '80s. It's a cult classic unlike any other, filled with audacious camerawork and supported by a wild sense of humor. It's a social farce, the likes of which only a Monty Python alum could have possibly pulled off.

Steven Spielberg has been the master of modern popcorn movies ever since he pretty much invented the concept of a summer blockbuster with 1975's Jaws. That movie was the highest-grossing film of all time until Star Wars took its record just two years later, but in 1982, Spielberg reclaimed the record with the timeless alien invasion classic E.T. the Extra-Terrestrial.

It's one of the best crowd-pleasing sci-fi movies ever, a family-friendly gem often recognized among the greatest and most influential American films of the '80s. It's a touching coming-of-age tale, a delightfully sweet alien film, and unapologetically Spielbergian. With a marvelous cast and an exciting story, this unparalleled portrait of childlike innocence is pure '80s Hollywood magic.

7 'Akira' (1988)

A character in a red jacket stares at the camera with an angry expression in Akira.

Directed by Katsuhiro Otomo and based on Otomo's own 1982 manga of the same name, Akira is one of the most groundbreaking anime films ever made. Set in a dystopian metropolis, this cyberpunk masterpiece has a story that differs greatly from that of its source material, but in tone and in what made the manga appealing, it nails every element.

It's also one of the most important movies that changed modern animation forever, as it is largely credited not just as a hugely influential work, but as one of the movies that helped popularize anime and Japanese culture in the West. Violent, fast-paced, and endlessly imaginative, this tour-de-force cult classic is a must-see for all those who appreciate the art of anime filmmaking.

Collider Exclusive · Sci-Fi Survival Quiz Which Sci-Fi World Would You Survive? The Matrix · Mad Max · Blade Runner · Dune · Star Wars

Five universes. Five completely different ways the future went wrong — or sideways, or up in flames. Only one of them is the world your instincts were built for. Eight questions will figure out which dystopia, galaxy, or desert wasteland you'd actually make it out of alive.

💊The Matrix

🔥Mad Max

🌧️Blade Runner

🏜️Dune

🚀Star Wars

TEST YOUR SURVIVAL →

You sense something is deeply wrong with the world around you. What do you do? The first instinct is often the truest one.

APull on every thread until I understand the system — then figure out how to break it. BStop asking questions and start stockpiling — food, fuel, weapons. Questions don't keep you alive. CKeep my head down, observe carefully, and trust no one until I know who's pulling the strings. DStudy the patterns. Every system has a rhythm — learn it, and you learn how to survive it. EFind the people fighting back and join them. You can't fix a broken galaxy alone.

NEXT QUESTION →

In a world of scarcity, what resource do you guard most fiercely? What we protect reveals what we believe survival actually requires.

AKnowledge. If you understand the system, you don't need resources — you can generate them. BFuel. Everything else — movement, power, escape — runs on it. CTrust. In a world of fakes and informants, a truly reliable ally is rarer than any commodity. DWater. And after water, information — the two things empires are truly built on. EShips and credits. The galaxy is big — you survive it by being able to move through it freely.

NEXT QUESTION →

What kind of threat keeps you up at night? Fear is useful data — if you're honest about what you're actually afraid of.

AThat reality itself is a lie — that everything I experience has been constructed to keep me compliant. BA raid. No warning, no mercy — just the roar of engines and then nothing left. CBeing identified. Once someone with power decides you're a problem, you're already out of time. DBeing outmanoeuvred — losing a political game I didn't even know I was playing. EThe Empire tightening its grip until there's nowhere left to run.

NEXT QUESTION →

How do you deal with authority you don't trust? Every dystopia has a power structure. Your approach to it determines everything.

ASubvert it from the inside — learn its rules well enough to weaponise them against it. BIgnore it and stay out of its reach. The further from any power structure, the better. CAppear to comply while doing exactly what I need to do. Visibility is the enemy. DManoeuvre within it carefully. You can't beat a system you refuse to understand. EResist openly when I have to. Some things are worth the risk of being seen.

NEXT QUESTION →

Which environment could you actually endure long-term? Survival isn't just tactical — it's physical, psychological, and very much about where you are.

AUnderground bunkers and server rooms — cramped, artificial, but with access to everything that matters. BOpen wasteland — brutal sun, no shelter, constant movement. At least the threat is honest. CA dense, rain-soaked city where you can disappear into the crowd and nobody asks questions. DMerciless desert — extreme heat, no water, and something enormous living beneath the sand. EThe fringe — backwater planets and busy spaceports where the Empire's attention rarely reaches.

NEXT QUESTION →

Who do you want in your corner when things fall apart? The company you keep is the clearest signal of who you actually are.

AA tight crew of believers who've seen behind the curtain and have nothing left to lose. BOne or two people I'd trust with my life. Any more than that and someone talks. CNobody, ideally. Alliances are liabilities. I work alone unless I have no choice. DA community bound by shared hardship and mutual survival — people who need each other to last. EA ragtag team with wildly different skills and total commitment when it counts.

NEXT QUESTION →

Where do you draw the line — if you draw one at all? Every survivor eventually faces a moment that tests what they're actually made of.

AI won't harm the innocent — even the ones who'd report me without hesitation. BI do what I have to to protect the people I've chosen. Everything else is negotiable. CThe line shifts depending on who's asking and what's at stake. DI draw a long-term line — nothing that compromises my people's future, even if it'd help now. ESome lines, once crossed, can't be uncrossed. I know which ones they are.

NEXT QUESTION →

What would actually make survival worth it? Staying alive is one thing. Having a reason to is another.

AWaking others up — dismantling the illusion so no one else has to live inside it. BFinding somewhere — or someone — worth protecting. A reason to keep moving. CAnswers. Understanding what I am, what any of this means, before time runs out. DLegacy — shaping the future in a way that outlasts me by generations. EFreedom — for myself, for others, for every world still living under someone else's boot.

REVEAL MY WORLD →

Your Fate Has Been Calculated You'd Survive In…

Your answers point to the world your instincts were built for. This is the universe your temperament, your survival instincts, and your particular brand of stubbornness were made for.

The Matrix

You took the red pill a long time ago — probably before anyone offered it to you. You're a systems thinker who can't help but notice the seams in things.

You're drawn to understanding how the system works before figuring out how to break it.
You'd find the Resistance, or it would find you — your instinct for spotting constructed realities is the machines' worst nightmare.
You function best when you have access to information and the freedom to act on it.
The Matrix built an airtight prison. You'd be the one probing the walls for the door.

Mad Max

The wasteland doesn't reward the clever or the well-connected — it rewards those who are hard to kill and harder to break. That's you.

You don't need comfort, community, or a cause larger than the next horizon.
You need a vehicle, a clear threat, and enough fuel to outrun it — and you're good at all three.
You are unsentimental enough to survive that world, and decent enough — just barely — to be something more than another raider.
In the wasteland, that distinction is everything.

Blade Runner

You'd survive here because you know how to exist in moral grey areas without losing yourself completely.

You read people accurately, keep your circle small, and ask the questions others prefer not to answer.
In a city where humanity is a legal designation rather than a feeling, you hold onto something that keeps you functional.
You're not a hero. But you're not lost, either.
In Blade Runner's world, that distinction is everything.

Dune

Arrakis is the most hostile environment in the known universe — and you are precisely the kind of person it rewards.

Patience, discipline, and political awareness are your core strengths — and on Arrakis, they're survival tools.
You understand that the long game matters more than any single victory.
Others come to Dune and are consumed by it. You'd learn its logic and earn its respect.
In time, you wouldn't just survive Arrakis — you'd begin to reshape it.

Star Wars

The galaxy far, far away is vast, loud, and in a constant state of violent political upheaval — and you wouldn't have it any other way.

You find meaning in being part of something larger than yourself — a cause, a crew, a rebellion.
You'd gravitate toward the Rebellion, or the fringes, or whatever pocket of the galaxy still believes the Empire's grip can be broken.
You fight — not because you have to, but because standing aside isn't something you're capable of.
In Star Wars, that willingness is what makes all the difference.

↻ RETAKE THE QUIZ

6 'The Fly' (1986)

Jeff Goldblum with prosthetics in David Cronenberg's "The Fly"

Canadian auteur David Cronenberg is one of the most important horror filmmakers of all time, the father of the body horror subgenre as a whole. And as far as Cronenberg's body horror goes, it doesn't get much more iconic, influential, or better than The Fly. Jeff Goldblum slowly transforming into a fly-man mutation doesn't exactly sound like an appealing premise on paper, but Cronenberg's execution is so faultless that the movie ends up being an absolute masterpiece.

The Fly is thematically profound and has well-written characters and story beats, but of course, the majority of its charm lies in the execution of what's on the page. It's the jaw-dropping special effects and makeup work, Goldlum and Geena Davis' potent performances, and Cronenberg's relentlessly grotesque and violent direction that make this one of the most intense movies of the '80s.

5 'The Thing' (1982)

Macready iluminated by a red light while holding sticks of dynamite in The Thing.

John Carpenter is another filmmaker who has been crucial to the history of horror. In fact, if there were a Mount Rushmore of horror movie directors, Carpenter's face would perhaps be the most essential to carve on the side of that mountain. To understand why, people could watch his entire filmography and have a hell of a good experience; but if they didn't have that sort of time, a single masterpiece would suffice: The Thing, a remake of 1951's The Thing from Another World, sticking closer to the novella that inspired both movies, John W. Campbell Jr.'s Who Goes There?

Full of revolutionary visual effects and exceptional performances, 'The Thing' is still absolutely terrifying all these many years later.

Where the 1951 film was much more overtly about Cold War paranoia thematically, Carpenter went for a broader thematic study of the kind of distrust and public psychosis that characterized the era. Full of revolutionary visual effects and exceptional performances, The Thing is still absolutely terrifying all these many years later.

4 'Aliens' (1986)

Aliens - 1986 - Ellen Ripley stands with Newt, soldiers in the background

With 1979's Alien, Ridley Scott revolutionized sci-fi horror forever. Seven years later, visionary Canadian filmmaker James Cameron came out with a sequel, this time focusing more on the action-driven storytelling that he has always specialized in. Thus, Aliens came into being, one of the few sci-fi sequels that many people consider even better than their predecessors.

It's one of the best horror blockbusters ever, bolstered by a tour-de-force performance by the marvelous Sigourney Weaver. It works as well as it does because it first takes the time to build up the complex, entertaining dynamics between its characters. Once those have been established, Cameron jumps headfirst into the action, delivering one of the most enthralling sci-fi flicks of not just the '80s, but the 20th century as a whole.

3 'Blade Runner' (1982)

harrison-ford-as-deckard-holding-his-gun-in-blade-runner.jpg

It wasn't just Alien that Ridley Scott revolutionized science fiction with. There was also, of course, Blade Runner. Quite famously, this adaptation of Philip K. Dick's Do Androids Dream of Electric Sheep? was a failure in every sense of the word upon release. Over time, though, it started growing a dedicated cult following. Eventually, that following grew so tremendously large, and retroactive praise for the movie grew so universal, that cinephiles today consider it a sci-fi classic as mainstream as any other.

It's one of those classic sci-fi movies that are still masterpieces today, a richly philosophical and detailed study of what makes us human that has aged like fine wine. The villains are amazing, the dialogue is genius, Harrison Ford's lead performance is one of the best of his career, and the brilliant world-building makes this not only one of the best sci-fi movies ever, but also one of the best neo-noirs of all time.

2 'Back to the Future' (1985)

Image of Michael J. Fox in 'Back to the Future'

Sci-fi movies don't need to be artsy to be absolutely perfect, and Robert Zemeckis proved that in 1985 with Back to the Future. This is a popcorn blockbuster through and through, but one so impeccably made in virtually every single department that it's difficult to find any fault in it. That makes it one of the best sci-fi movies to watch over and over again.

Where can one even begin singing Back to the Future's praises? Michael J. Fox and Christopher Lloyd's timeless performances, the script's perfect sense of structure and pacing, the thrilling third act, Alan Silvestri's iconic score — it's all some of the best work that has ever gone into any sci-fi film. In more ways than one, Back to the Future is the poster boy of '80s science fiction.

1 'Star Wars: Episode V — The Empire Strikes Back' (1980)

C3PO, R2-D2, Luke, an Leia with their back to the camera looking at the galaxy in The Empire Strikes Back.'

The Star Wars franchise is by no means pure science fiction. If anything, it perhaps belongs even more strongly to the fantasy category. But this legendary space opera has become the face of sci-fi across all of pop culture for a reason — several great reasons, in fact. Among those reasons, one stands out as the best piece of Star Wars media ever made: Episode V — The Empire Strikes Back.

It's far and away one of the best movie masterpieces of the last 50 years, a perfect example of a sci-fi epic that does things right in every single department. The visuals, the music, the acting, the characters, the story — the whole thing feels engineered in a lab for maximum entertainment, and it works wonderfully. The Empire Strikes Back is one of the most iconic Hollywood movies of all time, and it's certainly the peak of '80s sci-fi.

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